Archive for the ‘田村ゆかり’ Category

Lantis和King Records的走向

Posted by houkoholic on Monday, June 25th, 2007 at 08:16

(很久沒寫中文文章)

不久之前King社的某高層曾說過要加強旗下的動畫和聲優音樂發展, 但是當全世界的音樂商都在頭痛CD銷量下滑的情況下, 為甚麼ACG界反而強調這一方面的發展呢? 當然和御宅族的忠誠習性有莫大關係, 近期ACG系的CD銷量直線上昇, 更有直逼主流音樂CD的銷量的趨勢. 成本遠比動畫製作甚至主流音樂低而利潤又高的動畫CD業在商人眼中當然不能夠放過. 而現在ACG界中的兩大頭音樂社King Records和Lantis雖然現在各有強項, 但很明顯它們想達到的目標卻是一樣的, 在說明這個目標是什麼前, 現在先說一說兩間公司的現狀吧.

首先說King, 為了方便把子公司Starchild也連在一起說吧. King現在可是很令他社羨慕的公司, 無他, 現在銷量最好的ACG歌手大多都是它旗下的藝人 - 堀江由衣, 水樹奈々, 還有最近正式歸屬的田村ゆかり, 三名都是現在僅有可以多憑自己名氣少靠tie-up作品品質而有資格入Oricon週間十大的聲優歌手. 雖然現況甚好但是對於King來說它的未來發展就沒有那麼樂觀, 原因就是King其他的ACG音樂商機卻是不太理想. 除了靠King本身有份投資的動畫作品而用自己旗下的聲優歌手作出tie-up的做法外, 很少會有作品會來跟King要用它旗下的歌手來負責音樂. 其次就是上述的三大天后的”嘗味期限”雖然還不能夠說近, 但是在King多番努力下現在還後接無人的情況下前景實在是大大的不太妙. 不能永遠只靠三位聲優歌手而且動畫音樂也沒甚麼看頭的King當然就想加強旗下的陣容了. 雖然嘴上這樣說但King的進展還是慢得可以(日本人特性?), 到最近都還沒有什麼實質的新動作. 除了還是玩那組聲優樂隊那老把戲試金石和開始大力推捧還甚有發展力的田村ゆかり外, 不久前竟然還要出到把老手林原大姐再請出來灌了大碟這一著. 長遠發展暫時並不樂觀.

另一方面Lantis可以說是正相反. 現在隨便看一套動畫都差不多可以看到Lantis是音樂方面的贊助, 而且它旗下還不缺乏一群雖然不能夠像三天后那樣輝煌但還有一定銷量保證的歌手例如JAM Project, CooRie, 粟林みな実等, 但對Lantis來說它發售的CD中銷量最好的往往是要靠超人氣作品帶動的. 只要拿涼宮與因這套作品紅得發紫的平野綾個人單曲”明日のプリズム”比較一下就知道, Lantis現在旗下的歌手在個人程度來說是大多都沒有足夠的號召力. 每次都要擔懮作品有沒有可能可以達到像涼宮或最近的らき☆すた那種驚人的人氣程度才有銷量保證的話對公司來說當然也不是辦法, 所以Lantis便積極地簽了一群聲優歌手來加強實力. 雖然手上已經有了平野綾這一未來大將, 但是其實現在的平野綾靠的還是演出作品的間接人氣. 平野綾雖然有一定的潛質, 而且Lantis很明顯是看到”God Knows…”等的表現和她的衣著性格而想將平野綾培養成一個靠搖滾歌的小rock后, 可是平野綾本身在音樂上的表現還沒有足夠的實力, 個人風格和演出經驗(特別是live)可以和King的三大天后周旋 - 歌唱力不及水樹奈々, 風格變化不及田村ゆかり, 暫時也沒有由衣的招牌糖衣歌. 加上沒有可能只靠一個人來支撐場面, 所以Lantis還簽下另一位同是涼宮出品的聲優歌手 - 茅原実里. 如果說平野綾是偏向堀江由衣那種賣特定音樂形像的聲優歌手, 那茅原実里就是走水樹奈々那樣的正統實力派. 只要一聽和看茅原実里最近的作品”君がくれたあの日”就已經一目了然公司要她走的方向了, 實在是有向水樹奈々的名曲”Eternal Blaze”作出宣戰的模樣. 加上茅原実里本身的音樂造詣不低, 還有不能小看的live實力(她今年可以出席Animelo已經是一個很好的證明, 不能唱live的人去Animelo簡直是自討苦吃), 她已經成為了Lantis主力力捧的另一對象. 最後擔當和田村ゆかり對台的好可能就是SOS團最後的團員 - 後藤邑子. 她的新作單曲已經宣佈會在八月發售.

為什麼King和Lantis都這麼積極地加強聲優和歌手的陣容呢? 答案就是想做到”一手包辦”這個目的. 要知道現今日本動畫界”製作委員會”制度是異常的複雜和麻煩, 但當音樂公司可以一手包辦主題曲和聲優唱的character song的製作的話, 一來可以減少委員的數目而不必把收入分薄, 而音樂公司自身在業界的地位和收入也相對地提高, 是一石二鳥的發展計劃. 所以兩公司才會有這樣的發展方針. 至於它們會不會成功, 我們便放長雙眼來看吧.

Nanoha StrikerS Lyrical Party III

Posted by seiyuu3 on Monday, April 2nd, 2007 at 04:23

houkoholic: Yayz for Lyrical Party 3!!!!111111 Hooray for fire hazards!!!!!!!

sent: Lyrical Party for teh winz!!!!11111

houkoholic: ok let’s be serious now, what was your impression of LP3?

sent: Well, there were parts they executed well and some parts, not so much. Let me get this out of the way though, the guests were really done up well today. They looked great on stage. It’s a real pity only the 200 people or so at the front out of 7000 got to enjoy that eye candy.

houkoholic: Seriously, everyone was so glamorous and so beautiful, it’s a wonder why they decided not to, you know, actually put them on those 5 big screens in the venue and instead make us watch powerpoint slide shows.

sent: Ok let’s backtrack a bit for the readers and explain the setting a bit. Events like Lyrical Party are all about the seiyuu. They come on stage, play some games, give some commentary and generally the fans get to see them out from behind the screen. LP3 was much like last year’s Lyrical Party, except this year it’s been tripled in scale with around 7000 in attendance at the Tokyo Big Sight. 10 members of the seiyuu cast were there to celebrate the commencement of Nanoha StrikerS season. This included, of course, Tamura Yukari, Mizuki Nana, Ueda Kana, Shimizu Kaori, Sanada Asami, Takahashi Mikako, Yuzuki Ryoka, and 3 new comers Saito Chiwa, Nakahara Mai and Inoue Marina. That’s an impressive assembly. And with a surprise video message from Donna Burke (Go Aussie!), it could have been a hell of a fun event.

houkoholic: But, and it’s a BIG but, things are just mishandled in various places and the experience was significantly downgraded.

As mentioned earlier, everyone at the event were really dressed up and they all looked fantastic, special mention goes to Nakahara Mai and Yuzuki Ryouka who both looked especially classy. You would think for an event where they went to the trouble of assembling 10 fine looking female seiyuu and went to all the trouble of making them up for the camera in what is obviously a stage show that caters to fans of these seiyuu, they would have the sense to have decent camera work so that the 7000 people can actually see them. Instead, the camera work for the duration of the show was so poor that I barely got a glimpse of them, despite them having strategically set up 5 large projector screens to let people who are too far from the stage to see what’s happening.

sent: The event direction was below par. Not blessed with the best tickets at the event, the screen next to us was all we had to go on. I didn’t really need to be reminded, that yes, I am at Lyrical Party 3, 50% of the time. They needed more wide shots of the stage, and badly. Every time there was anything interesting happening on the stage, the screen cut to the powerpoint presentation telling us which segment we were currently experiencing and they only cut to the stage after it was all settled. That’s just poor direction. The fans are here to see the seiyuu and anything happening on stage is infinitely more interesting than powerpoint.

houkoholic: yeah, like during the picture message game. In any type of TV show that would be the perfect time to do a panning shot of the guests as they draw or when they show each other their drawings, but somehow it didn’t occurred to the video director until quite a few rounds after to do such a thing and swap out the powerpoint and that was extremely frustrating. By the way, I was surprised that both Yuzuki Ryouka and Inoue Marina were extremely good drawers, which makes up for the lack of Kuwatani Natsuko and Mizuhashi Kaori whom provided the amusing drawings from the previous LPs.

sent: This is not to say that the event was entirely substandard. There were parts that were up to scratch. Like the Shuffle Afureco. This is where they take a scene from last season, shuffle the roles and perform it live on stage. The talent of the seiyuus really shone through there and it was highlight of Lyrical Party. The first round was a classic featuring the ending scene from the first episode of Nanoha A’s. The Wii Bowling segment was also good show.

houkoholic: I would say all the games they organised were fun, just that I don’t really get to see what’s happening for the most part due to the poor camera direction. I was particularly impressed with the quick wits of the seiyuu in coming up with made up dialogues to go with the scenes. Vita the loan shark chasing Nanoha for money was funny as hell, and the NHK punch line had me cramping up with laughter. Also big kudos for the Gundam spoof in the second round.

sent: And as much as I like Mishima (note: he’s the producer of Nanoha), he only barely held up his role as MC. There were a few times where his direction could have made the games even more exciting but he seemed satisfied to sit back and let it play out as it was, much like he has in previous encounters.

In a broader sense, the lack of planning to scale is becoming a trend in many of the events that we’ve been to recently. They just don’t seem to know how to address the larger numbers of people. While these events used to be smaller and more manageable, they’re now beginning to reach higher crowd numbers, and evidently the event planners aren’t ready for it.

On a side note, I worry about the writing for Nanoha StrikerS. The style and presentation is certainly different to Nanoha A’s and while I could see what they were going for in the first episode setting up the strong friendship between Subaru and Teana, it lacks the impact that Nanoha A’s carried. Still with 26 episodes to play out the myriad of new characters there is plenty of scope for some classic moments. I would raise some questions about animation quality too but it’s early.

houkoholic: Nanoha is entirely cheese in its core, but I felt they already over did the cheese factor in the first episode with Subaru and Teana’s long chat during the mage rank exam. The opening animation is also not timed as well as it could have been and just didn’t have the same adrenaline rush like with A’s opening, even though I’ve already warmed up to Secret Ambition. On the other hand Subaru’s hand-to-hand style of combat did make for some fairly nice battle sequences. Overall though I say that the first episode of StrikerS is not as exciting as A’s, but with 26 episodes to work with I guess they felt they can ease into the story this time, so will just have to keep watching and see what they can pull off.

Music wise, for the mini-live section it started off with Ueda Kanna doing a very nice performance of “Snow Rain” from A’s. Then it was Nana-chan performing the 3 opening songs in chronological order. Afterwards it was Yukarin’s turn to perform the ending themes. We got to listen to the ending theme “Hoshizora no Spica” by Yukarin for the first time. The song this time around instead of the mellow songs of the previous two it’s more punchy to reflect the now matured and combat-harden Nanoha.

sent: No complaints for the music. Secret Ambition carries that elements garden touch and harkens to the great “Eternal Blaze” and may achieve the same greatness as time passes. Ueda Kana is surprisingly good live. She’s left a good impression on me.

That was it for Lyrical Party III. It had some classic hilarity that LP has become to be known for but execution in the directorial department leaves a lot to be desired. StrikerS should still make an interesting series but I won’t hold out hope for it reaching A’s quality.

Fate Team

Yukarin’s “Sincerely Dears…” - a bargain buy for new fans

Posted by houkoholic on Thursday, March 29th, 2007 at 14:26

Yukarin released her best album “Sincerely Dears…” yesterday and I just got around to picking it up. The CD cost a little more than a standard CD at 3,500yen but the volume and contents more than makes up for the extra 500yen.

The package comes in a cardboard box with the CD disc and bonus DVD in individual cardboard sleeves, a lyrics booklet for the songs on the CD, another booklet for the DVD, and finally a 34 page photo album of Yukarin moe taken in Hawaii. The CD itself is pretty standard fair with 11 select songs from her singles plus a new track titled “YOURS EVER” coming to a total of 12 tracks. But the bonus DVD is where the real meat is as it contains 70mins of footage from Yukarin’s 2006 concert tour “fancy baby doll” recorded in widescreen with linear PCM sound, so even though the DVD is a “bonus” the production of it did not take a cut. What’s more a lot of the songs from that concert are not on the CD itself, and with Yukarin being an excellent live performer, this whole package gives the buyer a fairly complete view of what Yukarin is capable of as a seiyuu artist. For people just beginning to take an interest in Yukarin, this album is a great buy. I highly recommend it.

Cover

Happy belated New Year

Posted by houkoholic on Tuesday, January 9th, 2007 at 23:48

Just so you know seiyuu3 is not dead.

New year card from Nana

 

New year card from Yukarin

Best. Custom. NDS. Ever.

Posted by houkoholic on Sunday, August 27th, 2006 at 22:08

Yukarin signed her own NDS and gives it away as a draw prize for the magazine Gemaga. 

Whoever wins this is probably going to be one very happy Yukarin fan. 

秋葉原的「第1次田村ゆかりfans大戰」

Posted by houkoholic on Sunday, August 6th, 2006 at 20:40

田村ゆかり最新的single「童話迷宮」在8月2日正式發售.  作為這次新single發售的記念, 難得的是ゆかりん今次竟然舉行event.  這次的event的舉辦者是大型精品連鎖店Gamers和とらのあな,  參加方法很簡單, 就是在該店購買「童話迷宮」的single便可以獲得一張抽獎卷, 只要把抽獎卷填好再寄出就可以參加抽獎. 當選的人可以出席在9月舉行的event - 從ゆかりん本人的手中拿取「童話迷宮」的宣傳海報. 

這個消息一在官網公佈, 即時令到各ゆかり王國國民一一準備在當天行動, 殺去聖地秋葉原進行購買行動.  8月2日當天放工才去秋葉員的我還是太過低估ゆかり王國國民的怨念, 想不到7時去到Gamers時已經有大大的牌寫著“今天13:32完售”. 不用多說とらのあな也有相似的牌, 說明只剩下預約的分.  而且兩間舖都說不知道何時會再入貨. 天啊, 連平日也可以這麼瘋狂, 我頓時戰意全失, 唯有收拾殘兵回家. (大噓)

第二天我改攻Gamers新宿店, 很夠運地該店還有數隻single, 當然二話不說立刻買下. 算是將這一次的「第1次田村ゆかりfans大戰」劃上一個句號.  現在只可以期望可以出席吧……

Loot from the battle :p

キタ! もえたんリスニングCD Vol.2!

Posted by houkoholic on Friday, July 21st, 2006 at 02:16

http://www.toranoana.jp/shop/moetan/moetan_cd.html

早いね、前作から半年くらいのこと?

私、Vol.1が買った。 もちろんVol.2購入予定。 外国人の私として、このアイテムはインパクトありすぎる。 ヲタの原文うえ、変な英語に訳して、そしてゆかり姫の発音….

このアイテムの本当の面白さは、バイリガルの人(オタク?)限り分かるでしょう。

とりあえず、ゆかり姫、いっぱい英文を読んでお疲れ様でした。

MoetanCD2

The Yukarin Concert Experience 2006 - * fancy baby doll *

Posted by sent on Saturday, May 6th, 2006 at 17:49

* fancy baby doll *Going to one of Tamura Yukari’s concerts is quite something else. Her fans are very very dedicated, enthusiastic and organised. They are hardcore. 「田村ゆかり Concert Tour 2006 * fancy baby doll *」 in my mind, demonstrated to me the raw tenacity, the likes of which I have not see before.

Let it be said though, that the concert itself was well choreographed and put together. Yukarin is an excellent performer on stage. She has the range and consistency to deliver an outstanding performance throughout a versatile selection of her songs. The set list went something like this:

1.Little Wish ~first step~
2.Cutie Cutie
3.Honey Moon/Fortune of Love
- MC -
(costume change)
4.Spiritual Garden
5.デイジー・ブルー
6.エアシューター
(costume change)
7.宵待ちの花
8.月のメロディー
- MC -
9.夢見月のアリス
(costume change)
10.Amazing Kiss
11.Cursed Lily
12.Black Cherry
(costume change)
13.童話迷宮(new song)
- MC -
14.Ever-Never-Land
15.Baby’s Breath
16.恋せよ女の子
17.candy smile
18.惑星のランデブー
19.fancy baby doll
- Encore -
20.Picnic
- MC -
21.優しい夜に。

(from 声優ニュース.com)

As always, Yukarin’s MC talks are the best. Highly entertaining stuff. The Mellow Mellow stick was out and about again and props to the security guards and cameramen who participated in her antics above and beyond the call of duty. Yukarin even mentioned the now infamous Rumble Roses XX videos circulating the blogosphere causing some stir and Desire for wealth has even issued an apology. But it’s all in good fun. These are the best bits and my reason for going to Yukarin’s concerts (apart from the desire to hear her sing live).

Getting back to her fans however. To be honest, I think the calls are getting out of hand. It’s one thing to shout “Hey hey hey” in time to the beat during parts of the song where she’s not singing. But it’s an entirely other matter when there’s incessant “Yukarin! Yukarin! Yukarin!” chanting during half the verses. Honestly guys, are you there to hear her perform or to make noise? It is without any doubt that if you are a first-timer to her concert, you can forget about hearing her perform most of her older songs and the calls are just too loud. Wait for the DVD. Fortunately, my favourites and possibly her best performed like Cursed Lily, Amazing Kiss and Black Cherry are either new (and therefore no calling) or are not suited to calls which meant I could wholly enjoy her performance for those. Don’t get me wrong, I respect the energy and dedication they put into making the calls and doing them on the night but there is such a thing as taking it too far.

Actually, I expect Yukarin’s concerts are always going to be like this. Excellent performance coupled with fandom’s raw tenacity and always some disturbing imagery to take away from the experience! (Don’t ask)

ゆかり王国ガード参上!

Posted by seiyuu3 on Thursday, May 4th, 2006 at 23:55
Yukarin Guards
ゆかりんの「fancy baby doll 」コンサートから帰った。今回のツアーは白いのハンドパペットを売って、前の黒いパペットとセットにするの感じ。ハンドパペットとサイリウム遊べるの時になんかビームサーベルを持ってるの戦士を感じすると思って、動画を作った。 この二匹は「ゆかり王国」のガードだぞ! ゆかり姫守るため戦う!(笑)

ゆかりん的「銀の旋律、記憶の水音。」Oricon週間排名15!

Posted by houkoholic on Thursday, April 27th, 2006 at 01:41

Oricon 的排名出來了. 今次是破了個人大碟最高排名的紀錄. 順便貼一下以前的排名:

True Romance      60位

花降り月夜と恋曜日。    70位

蒼空に揺れる蜜月の小舟。 49位

琥珀の詩、ひとひら    30位

今次的成積再加上演唱會熱賣的情況, 最近ゆかりん的氣勢很不錯呢.

來源: ウォッチ! 声優版


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