Archive for the ‘水樹奈々’ Category

Lantis和King Records的走向

Posted by houkoholic on Monday, June 25th, 2007 at 08:16

(很久沒寫中文文章)

不久之前King社的某高層曾說過要加強旗下的動畫和聲優音樂發展, 但是當全世界的音樂商都在頭痛CD銷量下滑的情況下, 為甚麼ACG界反而強調這一方面的發展呢? 當然和御宅族的忠誠習性有莫大關係, 近期ACG系的CD銷量直線上昇, 更有直逼主流音樂CD的銷量的趨勢. 成本遠比動畫製作甚至主流音樂低而利潤又高的動畫CD業在商人眼中當然不能夠放過. 而現在ACG界中的兩大頭音樂社King Records和Lantis雖然現在各有強項, 但很明顯它們想達到的目標卻是一樣的, 在說明這個目標是什麼前, 現在先說一說兩間公司的現狀吧.

首先說King, 為了方便把子公司Starchild也連在一起說吧. King現在可是很令他社羨慕的公司, 無他, 現在銷量最好的ACG歌手大多都是它旗下的藝人 - 堀江由衣, 水樹奈々, 還有最近正式歸屬的田村ゆかり, 三名都是現在僅有可以多憑自己名氣少靠tie-up作品品質而有資格入Oricon週間十大的聲優歌手. 雖然現況甚好但是對於King來說它的未來發展就沒有那麼樂觀, 原因就是King其他的ACG音樂商機卻是不太理想. 除了靠King本身有份投資的動畫作品而用自己旗下的聲優歌手作出tie-up的做法外, 很少會有作品會來跟King要用它旗下的歌手來負責音樂. 其次就是上述的三大天后的”嘗味期限”雖然還不能夠說近, 但是在King多番努力下現在還後接無人的情況下前景實在是大大的不太妙. 不能永遠只靠三位聲優歌手而且動畫音樂也沒甚麼看頭的King當然就想加強旗下的陣容了. 雖然嘴上這樣說但King的進展還是慢得可以(日本人特性?), 到最近都還沒有什麼實質的新動作. 除了還是玩那組聲優樂隊那老把戲試金石和開始大力推捧還甚有發展力的田村ゆかり外, 不久前竟然還要出到把老手林原大姐再請出來灌了大碟這一著. 長遠發展暫時並不樂觀.

另一方面Lantis可以說是正相反. 現在隨便看一套動畫都差不多可以看到Lantis是音樂方面的贊助, 而且它旗下還不缺乏一群雖然不能夠像三天后那樣輝煌但還有一定銷量保證的歌手例如JAM Project, CooRie, 粟林みな実等, 但對Lantis來說它發售的CD中銷量最好的往往是要靠超人氣作品帶動的. 只要拿涼宮與因這套作品紅得發紫的平野綾個人單曲”明日のプリズム”比較一下就知道, Lantis現在旗下的歌手在個人程度來說是大多都沒有足夠的號召力. 每次都要擔懮作品有沒有可能可以達到像涼宮或最近的らき☆すた那種驚人的人氣程度才有銷量保證的話對公司來說當然也不是辦法, 所以Lantis便積極地簽了一群聲優歌手來加強實力. 雖然手上已經有了平野綾這一未來大將, 但是其實現在的平野綾靠的還是演出作品的間接人氣. 平野綾雖然有一定的潛質, 而且Lantis很明顯是看到”God Knows…”等的表現和她的衣著性格而想將平野綾培養成一個靠搖滾歌的小rock后, 可是平野綾本身在音樂上的表現還沒有足夠的實力, 個人風格和演出經驗(特別是live)可以和King的三大天后周旋 - 歌唱力不及水樹奈々, 風格變化不及田村ゆかり, 暫時也沒有由衣的招牌糖衣歌. 加上沒有可能只靠一個人來支撐場面, 所以Lantis還簽下另一位同是涼宮出品的聲優歌手 - 茅原実里. 如果說平野綾是偏向堀江由衣那種賣特定音樂形像的聲優歌手, 那茅原実里就是走水樹奈々那樣的正統實力派. 只要一聽和看茅原実里最近的作品”君がくれたあの日”就已經一目了然公司要她走的方向了, 實在是有向水樹奈々的名曲”Eternal Blaze”作出宣戰的模樣. 加上茅原実里本身的音樂造詣不低, 還有不能小看的live實力(她今年可以出席Animelo已經是一個很好的證明, 不能唱live的人去Animelo簡直是自討苦吃), 她已經成為了Lantis主力力捧的另一對象. 最後擔當和田村ゆかり對台的好可能就是SOS團最後的團員 - 後藤邑子. 她的新作單曲已經宣佈會在八月發售.

為什麼King和Lantis都這麼積極地加強聲優和歌手的陣容呢? 答案就是想做到”一手包辦”這個目的. 要知道現今日本動畫界”製作委員會”制度是異常的複雜和麻煩, 但當音樂公司可以一手包辦主題曲和聲優唱的character song的製作的話, 一來可以減少委員的數目而不必把收入分薄, 而音樂公司自身在業界的地位和收入也相對地提高, 是一石二鳥的發展計劃. 所以兩公司才會有這樣的發展方針. 至於它們會不會成功, 我們便放長雙眼來看吧.

Shining Wind - the other half of the equation

Posted by houkoholic on Sunday, May 20th, 2007 at 17:24

Sega’s latest addition to the “Shining” series - Shining Wind - just went on sale on Thursday last week. Some of you probably also know that there is currently an anime in the spring season line up called Shining Tears X Wind, the names are no coincidence as the two titles are in fact closely related. While the anime tells the story from the point of view of the hot-blooded Souma (Hoshi Souichiro), the game tells the story from the slightly more timid Kiriya (Ishida Akira). Although some minor execution of the story from the different perspectives do not entirely agree in continuity, the two do seem to be designed from the ground up to compliment each other in painting the entire scope of the plot. While these types of simultaneous cross-media promotion had always happened in the forms of anime/manga/drama CD, a cross promotion between anime and game is an interesting evolution to this formula as no doubt they have realised that there is major cross-over between the two demographic of anime watchers and gamers. It’s a hook that worked on us at seiyuu3, as we have found ourselves putting the mediocre anime back on our watch list, and finding the experience much more enjoyable then when the two works were taken separately.

For the gameplay, the real time action-based battle system of the game is fairly straight forward and is easy enough to not punish the casual players, which is a logical move as the point of the game is really about moving the plot forward rather than dwelling in the RPG battle mechanics. There is a visual novel like element which let the player engage in unlocking mini story-arcs of the characters in the team in order to level up the character’s “Soul Blade”, which are said to be a materialisation of the owner’s emotions. The mini-arcs are not even limited to females, so some fangirls who are into pairings will no doubt get a kick out of it as well (though I’m bothered by the beastialities). It’s not an entirely new concept game design wise mixing strategy with adventure, personally I find it like they took some Langrisser and tone down the battle system and topped it off with a little Sakura Taisen. The result is a game that’s neither hardcore battle nor hardcore adventure.

Of course, this franchise first came on the seiyuu3 radar in no small part due to the extravagant seiyuu cast. Practically all of our top favourite names are here – Mizuki Nana, Horie Yui, Kawasumi Ayako, Kuwashima Houko, etc., the list goes on and on. The opening theme song Heart-shaped Chant by Nana-chan (available on the Secret Ambition single), a great song as it is, had now found a permanent spot on the daily playlist. It had also became a ritual to sit through the opening animation whenever the game is fired up for play.

For those wondering about the banner art, it’s a campaign run by Sega which gives sites hosting the banner art a chance to win some seiyuu goodies. Yes, we want those, badly. ;)

Mizuki Nana’s 「SECRET AMBITION」 PV

Posted by seiyuu3 on Monday, April 16th, 2007 at 04:24

houkoholic: The Intertubes is faster than you! I’m looking at you King.

sent: Yeah King FTW :P

Notes: The PV is actually pretty cheap. It’s only cool because they made Nana’s costume look like Fate’s new Barrier Jacket in StrikerS. You know what they were going for (hur hur).

Enjoy!

Nanoha StrikerS Lyrical Party III

Posted by seiyuu3 on Monday, April 2nd, 2007 at 04:23

houkoholic: Yayz for Lyrical Party 3!!!!111111 Hooray for fire hazards!!!!!!!

sent: Lyrical Party for teh winz!!!!11111

houkoholic: ok let’s be serious now, what was your impression of LP3?

sent: Well, there were parts they executed well and some parts, not so much. Let me get this out of the way though, the guests were really done up well today. They looked great on stage. It’s a real pity only the 200 people or so at the front out of 7000 got to enjoy that eye candy.

houkoholic: Seriously, everyone was so glamorous and so beautiful, it’s a wonder why they decided not to, you know, actually put them on those 5 big screens in the venue and instead make us watch powerpoint slide shows.

sent: Ok let’s backtrack a bit for the readers and explain the setting a bit. Events like Lyrical Party are all about the seiyuu. They come on stage, play some games, give some commentary and generally the fans get to see them out from behind the screen. LP3 was much like last year’s Lyrical Party, except this year it’s been tripled in scale with around 7000 in attendance at the Tokyo Big Sight. 10 members of the seiyuu cast were there to celebrate the commencement of Nanoha StrikerS season. This included, of course, Tamura Yukari, Mizuki Nana, Ueda Kana, Shimizu Kaori, Sanada Asami, Takahashi Mikako, Yuzuki Ryoka, and 3 new comers Saito Chiwa, Nakahara Mai and Inoue Marina. That’s an impressive assembly. And with a surprise video message from Donna Burke (Go Aussie!), it could have been a hell of a fun event.

houkoholic: But, and it’s a BIG but, things are just mishandled in various places and the experience was significantly downgraded.

As mentioned earlier, everyone at the event were really dressed up and they all looked fantastic, special mention goes to Nakahara Mai and Yuzuki Ryouka who both looked especially classy. You would think for an event where they went to the trouble of assembling 10 fine looking female seiyuu and went to all the trouble of making them up for the camera in what is obviously a stage show that caters to fans of these seiyuu, they would have the sense to have decent camera work so that the 7000 people can actually see them. Instead, the camera work for the duration of the show was so poor that I barely got a glimpse of them, despite them having strategically set up 5 large projector screens to let people who are too far from the stage to see what’s happening.

sent: The event direction was below par. Not blessed with the best tickets at the event, the screen next to us was all we had to go on. I didn’t really need to be reminded, that yes, I am at Lyrical Party 3, 50% of the time. They needed more wide shots of the stage, and badly. Every time there was anything interesting happening on the stage, the screen cut to the powerpoint presentation telling us which segment we were currently experiencing and they only cut to the stage after it was all settled. That’s just poor direction. The fans are here to see the seiyuu and anything happening on stage is infinitely more interesting than powerpoint.

houkoholic: yeah, like during the picture message game. In any type of TV show that would be the perfect time to do a panning shot of the guests as they draw or when they show each other their drawings, but somehow it didn’t occurred to the video director until quite a few rounds after to do such a thing and swap out the powerpoint and that was extremely frustrating. By the way, I was surprised that both Yuzuki Ryouka and Inoue Marina were extremely good drawers, which makes up for the lack of Kuwatani Natsuko and Mizuhashi Kaori whom provided the amusing drawings from the previous LPs.

sent: This is not to say that the event was entirely substandard. There were parts that were up to scratch. Like the Shuffle Afureco. This is where they take a scene from last season, shuffle the roles and perform it live on stage. The talent of the seiyuus really shone through there and it was highlight of Lyrical Party. The first round was a classic featuring the ending scene from the first episode of Nanoha A’s. The Wii Bowling segment was also good show.

houkoholic: I would say all the games they organised were fun, just that I don’t really get to see what’s happening for the most part due to the poor camera direction. I was particularly impressed with the quick wits of the seiyuu in coming up with made up dialogues to go with the scenes. Vita the loan shark chasing Nanoha for money was funny as hell, and the NHK punch line had me cramping up with laughter. Also big kudos for the Gundam spoof in the second round.

sent: And as much as I like Mishima (note: he’s the producer of Nanoha), he only barely held up his role as MC. There were a few times where his direction could have made the games even more exciting but he seemed satisfied to sit back and let it play out as it was, much like he has in previous encounters.

In a broader sense, the lack of planning to scale is becoming a trend in many of the events that we’ve been to recently. They just don’t seem to know how to address the larger numbers of people. While these events used to be smaller and more manageable, they’re now beginning to reach higher crowd numbers, and evidently the event planners aren’t ready for it.

On a side note, I worry about the writing for Nanoha StrikerS. The style and presentation is certainly different to Nanoha A’s and while I could see what they were going for in the first episode setting up the strong friendship between Subaru and Teana, it lacks the impact that Nanoha A’s carried. Still with 26 episodes to play out the myriad of new characters there is plenty of scope for some classic moments. I would raise some questions about animation quality too but it’s early.

houkoholic: Nanoha is entirely cheese in its core, but I felt they already over did the cheese factor in the first episode with Subaru and Teana’s long chat during the mage rank exam. The opening animation is also not timed as well as it could have been and just didn’t have the same adrenaline rush like with A’s opening, even though I’ve already warmed up to Secret Ambition. On the other hand Subaru’s hand-to-hand style of combat did make for some fairly nice battle sequences. Overall though I say that the first episode of StrikerS is not as exciting as A’s, but with 26 episodes to work with I guess they felt they can ease into the story this time, so will just have to keep watching and see what they can pull off.

Music wise, for the mini-live section it started off with Ueda Kanna doing a very nice performance of “Snow Rain” from A’s. Then it was Nana-chan performing the 3 opening songs in chronological order. Afterwards it was Yukarin’s turn to perform the ending themes. We got to listen to the ending theme “Hoshizora no Spica” by Yukarin for the first time. The song this time around instead of the mellow songs of the previous two it’s more punchy to reflect the now matured and combat-harden Nanoha.

sent: No complaints for the music. Secret Ambition carries that elements garden touch and harkens to the great “Eternal Blaze” and may achieve the same greatness as time passes. Ueda Kana is surprisingly good live. She’s left a good impression on me.

That was it for Lyrical Party III. It had some classic hilarity that LP has become to be known for but execution in the directorial department leaves a lot to be desired. StrikerS should still make an interesting series but I won’t hold out hope for it reaching A’s quality.

Fate Team

Animelo Summer Live 2007 Generation A

Posted by houkoholic on Friday, March 30th, 2007 at 16:05

Official page is now up.

The date is 7th July, again in Budoukan.

Artists list is not finalised yet but the usual suspects like Makkun, JAM Project, Nana-chan, Kuribayashi Minami and Takahashi Naozomi will all be back.  Halko (Momoi Haruko) is going to make her first Animelo appearance this year.

On 奈々 and なのは

Posted by houkoholic on Saturday, February 17th, 2007 at 18:48

Nana-chan and Nanoha goes together, we all know that, so it wasn’t much of a surprise during the “Live Museum” concert on Monday that Nana-chan treated us with the very first public performance of the upcoming opening theme song to Nanoha StrikerS.  Titled “Secret Ambition”, the lyrics is again handled by Nana-chan herself and this time music is by Shikura Chiyomaru.  I was reliefed that Nana-chan wrote the lyrics because although Shikura Chiyomaru is not a bad music writer and I don’t object to him writing the music, his habit of including terrible engrish in all his songs on the other hand bothers me a lot.  Music wise, with “Eternal Blaze” still my most played song in my music library it’s hard for me not to compare “Secret Ambition” and feel that it lacks the immediate impact of “Eternal Blaze”.  Shikura’s music is very much synthetic and heavily electric guitar focused and I can’t help but feel like it’s a step backwards in music style to more campy J-pop music, compared with the works that Elements Garden had put out which had nice string composition adding some more sophistication to the music, though I think I can’t really judge it with only one listen and will have to wait and see how it plays out when coupled with the opening animation which may swing my opinion of it. 

On a final note, the concert was huge.  With reportedly a turnout of 12,000 people, I don’t think I’ve seen so many people lining up to get into a building in my life.  Which also begs the question of where Nana-chan can go, concert wise, from now on.

Happy belated New Year

Posted by houkoholic on Tuesday, January 9th, 2007 at 23:48

Just so you know seiyuu3 is not dead.

New year card from Nana

 

New year card from Yukarin

“Justice to Believe/アオイイロ” ranks 4th on Oricon, get a second go at “Hey! Hey! Hey!”

Posted by houkoholic on Wednesday, November 22nd, 2006 at 19:43

So the official count is out - Nana-chan’s latest single “Justice to Believe/アオイイロ” ranks 4th on the weekly singles chart. No bad. Thus also making this her second time in ranking in the top 5 of the weekly chart. Probably thanks to this, it’s annouced on the official page that Nana-chan will be appearing, for the second time, on prime-time music program “Hey! Hey! Hey!” next Monday, with the actual recording session taking place Thursday this week. A lottery was setup to let a few lucky fans to get into the recording session (I’ve put in mine). I hope that Nana-chan’s management have learnt from their previous mistake and take a page from Hirano Aya’s appearance on the same program to make this second appearance a better one. I mean at the very least they should let Nana-chan do a live, because Nana-chan is still at her best when singing, and I’m fairly certain she would impress the two hosts with that.

アオイイロ PV Full version

Posted by houkoholic on Sunday, November 19th, 2006 at 20:19

You should all know the drill by now. ;)

Tubes!

“Justice to Believe” PV full version on Youtube

Posted by houkoholic on Monday, November 6th, 2006 at 15:39

Linky

I was about to point to the Japanese site which also hosted this PV, but who wants to jump through all that registration hoops and get spammed when you can just point it to YouTube?

YouTube FTW!


The Law of Information Sharing on the Internet
Rule 1. Anything can be found on the Internet.
Rule 2. If Rule 1 appears not to apply, you haven't looked hard enough.
Rule 3. Given sufficient time for Rule 2, somebody else will find it for you or upload it hence fulfilling Rule 1.
                                                                                - seiyuu3