Archive for the ‘平野綾/Hirano Aya’ Category

Tomatsu Haruka is Anti Aya Style

Posted by houkoholic on Thursday, March 11th, 2010 at 19:09

Someone brought to my attention (forgotten who though) that the red bikini Tomatsu Haruka wore in her 2nd photobook “High Touch!” is of similiar design to the swimsuit that lead to Aya Style, except Toma-chan actually put it on right.

Toma-chan photo stolen from j1m0ne.

I wonder if this was a delibrate choice just to spite Hirano Aya.

I bought my own copy too (the legs are just too hard to resist), but I’m not going to risk scanning it. j1m0ne already reviewed and concluded the photobook is pretty nice and I agree with her, fans of Toma-chan should definitely buy it for fapping admiring.

“Dekobitch” officially recongnised as Hirano Aya’s nickname?

Posted by houkoholic on Friday, February 5th, 2010 at 18:24

No I didn’t make this up.

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Seems that a certain magazine (can’t confirm which yet, so there’s still a possiblity that this is a PS job) has printed out Hirano Aya’s profile and listing “Dekobitch” as her accepted nickname. Since we know that the majority of Japanese people fails at English, Hirano Aya herself failing pretty hard at it herself with her punk t-shirts, and that publications fails equally as hard here (no this is not a stereotype, but a fact, remember Chihara Minori “The jewel in a dunghill“?), so they could very well be throwing this one in when not knowing exactly what it means.

Aya Style already gave me a hell of an entertaining time, can’t wait to see how this one unfolds. Oh wait, could this be another of those tricks to get gossiping going since Hirano Aya has been pretty quiet recently….

2008 Review – Seiyuu3 Edition

Posted by houkoholic on Thursday, January 1st, 2009 at 09:34

Hopping onto the bandwagon. Categories not in any particular order, I’m just writing it as they come to my mind.

Most Memoriable Seiyuu Moment – I killed Ueda Kana in Halo 3

It wasn’t memoriable just because I fragged her, but because she was actually a competent player. While I am not so shallow as to think that there are no female gamers (some of my friends are quite heavy gamers), but you have to admit that a certain amount of skepticism is in need about the way Ueda Kana professing her addiction to typically very male orientated games like FPS and Monster Hunter that I just couldn’t pass up the opportunity to see for myself if it was just an act or was she for real. It turns out she is the real deal and all the more respect from me to her.

Oh and sorry about the video, I’ll probably never get around to it. *runs*

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Most Memoriable News Announcement – Brief Return of the Sakamoto/Kanno Golden Team

When they announced that Sakamoto Maaya and Kanno Yoko were going to work together again for Macross Frontier, I was ecstatic – I’m the old schooler that thinks everything non-Kanno Yoko by Maaya is crap (yep I’ve said it). While opinions on Triangler seems to be leaning towards the negative side, personally I much prefer it to the more popular Lion. Only Maaya can screech and still sound sort of good.

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Best Concert/Event I Attended – (tie) THE IDOLM@STER 3rd Anniversary Live and Animelo 2008

A lot of the other concerts/events I went to seems to suffer from little things which keeps me from enjoying them to the fullest – such as Nana’s horrible wardrobe in Live Fighter or the unsatisfying Minorin Fanclub event. In the end, it is only for the IDOLM@STER concert and Animelo 2008 where I can say I was completely and totally pumped and excited for the entire duration of the concert. Too bad neither seems to be coming out on DVD anytime soon.

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LULZ Award – “Aya Style”

Hirano Aya’s bikini screw-up leading to the coining of the new term “Aya Style”. It was even funnier because it was a female friend who pinged me about it in the first place and said, quote – if she wasn’t flat as a board, that would hurt. It made me laughed so hard that I had a stomach cramp.

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Best New Personal Seiyuu Discovery – (Tie) Imai Asami and Shimoda Asami

It seems that not only do they share the same given name, but also some other similiarties too – similarities which also happens to be what made me like them.

One is their singing abilities. They are both really really good singers with distinctive voices. Imai Asami has a deep powerful mature voice while Shimoda Asami can sing in both her normal voice and her nasal character voice which is quite a rare talent even amongst great seiyuu singers. The second are their quirky personality. Imai Asami “Mingosu” is a gamer-erojiji-lolicon-otaku with a chest complex, while Shimoda Asami “Asapon” is a multi-facet character (which includes her normal female self, a cute/dumb/wtf elementary school loli personality as well as a, you guessed it, lesbian side where she likes to claim fellow cute seiyuu as her waifu under her male personality named “Asao”) with a talent for voice imitations and writing original lyrics to songs and performing them live on her radio show. Sounds too good to be true? Think it’s all a marketing gimmick? That’s probably true, but that’s what makes seiyuu idol personalities interesting and warrants closer examination, right?

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MVP – Tomatsu Haruka

Tomatsu Haruka without a doubt is the new rising star that dominated this year with a very strong list of memorable characters and roles. Nakajima Megumi may have gotten better limelight, but she hasn’t demonstrated the same versitility and range that Tomatsu Haruka had shown. Ever since Polyphonica last year it was pretty clear to me that Tomatsu Haruka has that something in her to make it big, this year was the year that she capitalised on it to make her mark on everyone’s radar. Even though I’m not found of Kannagi, it’s hard to argue that Tomatsu Haruka’s Nagi was quite a vital attraction of the show.

It also helps that she has very nice legs.

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Best Seiyuu Gaming Moment – Senjou no Valkyria

It was an all-star cast for an incredible game (though not my Game of the Year though, that would actually be Fallout 3). You can read about what I had to say about the game here. While the presence of Fukuyama Jun did add a big LOL factor, it was Inoue Marina that made Valkyria for me. I really like Inoue Marina’s protrayal of the down-to-earth girl that is Alicia, it’s distinctive yet subtle, it catches your attention without being loud. It would be nice to hear Marina repraising the role of Alicia in the upcoming anime version.

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Favourite Song – Shiny Smile from THE IDOLM@STER Live For You!

As it was my most played song which was released in 2008 according to my iTunes log it takes the crown of Favourite Song of 2008. To be honest 2008 was a pretty rough year for me, and Shiny Smile was one of the songs I went to for a pick-me-up. It’s a very simple catchy tune that gets you to sing along instantly, plus it has the right lyrics and attitude – the never give up, never stop moving forward and to just go for the goal with a bright smile was really what I needed when I’m feeling a bit down and just don’t want think too much while helping me to keep a positive attitude.

Someone went to the trouble of subbing the song and post it on Youtube. The translation is stiff but it gets the jist of it.

Most Disturbing Seiyuu Related News – Crazy People Making Death Threats to Seiyuu

Mizuki Nana and Chihara Minori both recieved death threats this year which made it to headline news. While they both seem to turn out to be nothing more than pathetic pranks when the police caught the ones responsible, it is still disturbing that people would use such things for fun, especially for the fact that they seem to be inspired by the tragic incident in Akiba.

“About f#@king time” moment – Area 11 Discovers the Rest of ZA WAARUDO!

In the form of half-heartedly setting up the “Overseas Fan Choice Award” in the Seiyuu Award. Doesn’t change the fact that the award itself is still a joke though.

“I can’t believe he/she did that!” Seiyuu Moment – Miyano Mamoru’s Shotgun Marriage Announcement

I will not claim knowledge on how fangirl logic would work (though I’m guessing it is probably not that different to how fanboy logic works), and I know that the entertainment industry here are generally pretty harsh when it comes to idols coming out with “shameful” and image damaging news such as these – and sure enough they pretty much cleanse the usual sources of his video message announcing his marriage, including his own official page, and tried to pretend that nothing happened (but the internet being the internet, you can still find the video if you spend 10 seconds on teh googles). That’s some gutsy thing Miyano did, but ultimately foolish with how the industry here works and I wish him luck and hope that he’s not going to be regretting this decision of his anytime soon.

“I can’t believe I did that!” Seiyuu Moment

Thankfully this category is empty as I haven’t done anything to any seiyuu that would have me writing this from inside a prison cell.

Wish you all a Happy New Year.

Animelo Summer Live 2008 – Sunday Highlights

Posted by houkoholic on Monday, September 1st, 2008 at 04:12

Famitsu is on their game again so official track listing can be found here.  As predicted, today was Niconico Douga Meme Song day, if you are a fan of nicodouga, especially of the Nicodouga Kumikyoku, you’ll no doubt get a massive kick from hearing the meme songs being performed full live – we definitely did.   Anyway again some highlights:

*  Omoide wa Okusenman performed by JAM Project as an opener.  What a starter!  Hang on, Makkun isn’t in there but replaced by Misato Aki.  Hmm what happened?

*   After the song, Kageyama Hironobu announced that Makkun fell sick, and her condition worsen because she forced herself to perform yesterday and the doctor gave her the order to not to perform today.  DAMN.

*  Misato Aki sang nicely – taking over Makkun’s role in such short notice and as the first performer, great effort on her part.

*  Elisa’s voice is simply beautiful.  After 2 acts the bar for the night is set pretty damn high.

*  After two slow songs from Elisa, angela Domestic Love Band started the night’s long run of goth-metal music.  It’s quite a departure of her old stuff.  Yeah, even Shangri-La was pretty out there.

* Sound Horizon had some interesting sounds, and lots of members and vocalists. My favourite part though has to be the electric violin in their music. Might check them out later.

* Yui’s goth band is a good gag act. I like how they made fun of themselves with the whole “toilet break act” gag, even though they were far from that level of terrible.

* Momoi Halko did a real-life Idolm@ster-style “performance accident” – she literally tripped and fell on all four after missing a landing from a jump. She recovered from it straight away though, that’s a pro performer right there.

* Mosaic.wav’s Gacha Gacha Kyu~~~ I was waiting for this piece and the fun metre explodes when everyone in the stadium does the hand gestures.

* Everyone sang true my heart – the call for “Kishimen!” was insane, Lelouch by the power of the Code Geass MAD meme orders you all to obey and sing!

*  Sakura Saori’s talking voice scares me since it sounds just like when she sings.  It’s like she’s constantly on helium or something.

*  No Kiss My Lips.  That is just not right. :(

*  miko (IOSYS) for Marisa – complete with the original flash movie on the big screen.  There’s something magical about everyone yelling “yi er san yi er san one two three one two three ichi ni san” at the same time.

*  Tori no Uta, another totally expected piece.  It’s a nice song except that for all of the 2 to 3 times I’ve seen it live Lia can never perform it well in a live situation and this time was no exception, which is a pity.

*  iM@S performed a medley of their most famous songs, which is awesome because there is just no way they can get through all their cool songs any other way.  Asapon was the most in character, Mingosu did well with her solo Aoi Tori section, and even Nakamura Eriko managed to sing pretty well too.

*  Makka na Chikai was sooooo intense.  I’ve never seen so many people get so psyched up, except for JAM Project’s SKILL.

*  May’n does her Macross Frontier Sheryl act.  That’s all there is to say about it.

*  Psychic Lover does a ballad, wow.  It’s so not their usual image.

*  Hirano Aya improved her singing – it is no longer as painful as last year’s because she stopped trying so damn hard to do her weak attempt at a vibreto (thank god).

anisong Uninstall was another piece that I really want to hear live, and Ishikawa Chiaki delivers it in spades.

*  Woo, another new unreleased song in full – Gundam 00 second season’s ending Prototype.

*  Gundam-gasum continues with a medley by a Ishikawa Chiakii/Yonekura Chihiro duet doing their most famous Gundam themes.

I can fly!  You can fly!  We can fly! Motto motto! 

Today’s concert was enjoyable in a completely different way compared with yesterdays.  While yesterday’s – as expected by such a strong line up of strong singers – wins purely by the sheer high quality of the performers at performing live, today’s was exciting for the concentrated bursts of pure FUN as meme songs and recent cult hits gets performed live on stage and how everyone joins in with the acts at the same time to create an unbelievable live atmosphere.  So both days were awesome in their own rights.

Also it looks like they’re already planning for next years Animelo, so see you next AniSummer!

Animelo Summer Live 2008 announced – and a bit of shocking news from JAM Project

Posted by houkoholic on Friday, April 11th, 2008 at 23:48

Well they finally announced it – one of the hottest anisong events Animelo Summer is on this year and the official site is now open. A preliminary list of artists attending are already on the site – with familiar names such as ALI Project, Kuribayashi Minami, Mizuki Nana, Chihara Minori, Ishikawa Chiaki, JAM Project, Momoi Halko, Hirano Aya, and two new players GRANRODEO and angela.

This year’s key word is “Challenge” – and with that they are definitely taking some new organizational challenges by not only upping the venue scale from Budoukan to Saitama Super Arena (the capacity depending on layout can be up to double the size), but also splitting the concert into two days, with what appears to be different artists performing on different days. I’m a bit torn on this move – as much as I like the prospects of two days worth of awesome live performances of anisongs, I don’t like them leaving me no choices but to go to both days to see all the artists I want to see.

On a related note, one of JAM Project’s long time female member Matsumoto Rika broke news shortly after the closing of JAM Project’s domestic concert tour that she will no longer take part in JAM Project and JAM Project related events. While hopeful fans were praying that it’s a late April’s Fool, but the profile picture of JAM Project at Animelo reflected this change. It’s a big blow to JAM Project, especially that JAM Project is supposedly doing a world tour this year (and what’s up with that anyway? Hardly any news is out regarding the schedule). Otakon still has her listed as guest, but I guess it’s up in the air.

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Animelo Summer Live 2007 DVD – the short review

Posted by sent on Thursday, November 29th, 2007 at 00:40

Let’s get the bad bits out of the way first:

The video is bad, as in “zomg I see pixels”. Packaging leaves much to be desired as well for the full price. But get over it.

The sound is still linear PCM Stereo. OK, not 5.1, but the mixing is good and consequently the awesome songs are still awesome.

Rewatching all the songs, the awesome feeling is still there.

Multi-angle for the duets and last encore is epic win. They’ve finally discovered the DVD spec.generation-a2.jpg

Must see acts: Suara, Jyukai, Nana (of course), all the duets, JAM Project, move, Takahashi Youko, Okui Masami. (Actually it’s really hard to leave people out of this list.)

Skippable: Bouken Desho Desho ~ Punk Desho version.

Major disappointment: They took out Dekaranger.

Verdict: Buy (Better with discount)

Link: Amazon.jp / CD Japan

Animelo Summer Live 2007 DVD out in November

Posted by sent on Tuesday, August 14th, 2007 at 18:00

Ah you’ve all been waiting for this, including me. Yes, the Animelo Summer Live 2007 DVD will be released this November. It’s a bit pricey at 8,900 yen but you do get three discs and there’s a good chance they’ll get it right this time. It’s still cheaper that last year’s debacle that’s for sure.

Anipara happened to do a quick recap of the event which I’ve embedded below. Enjoy!

We are Generation-A

Posted by sent on Wednesday, July 25th, 2007 at 18:44

Getting tickets to Animelo 2007 proved to be a much more difficult task than last year. With none of the fan clubs getting any allocation and the tickets in general moving to a tiered pricing system, competition was hot at the ticket box and internet sales. So auctions it was, but I must say it was a great score bettering the great tickets we got for the first Animelo.

They're going in!

This was the second time at Budokan and I hope the last. While Budokan has a cozy atmosphere almost akin to a live house, Animelo really demands a bigger venue. As usual the place was packed by the time we got there and the goods this year looked pretty enticing. I ended up getting a t-shirt since I didn’t have enough cash for the suede hat they had.

The usual rabble outside. Oh look, flower stands.

Things were looking up after getting inside. This year’s stage setup had a centre extension out into the arena. They also retained most of the side stages although there were not as long as last years. The arena people would definitely get a good show. Sure, we weren’t able to see what was going on from in front, but I think we were in for a much better treat. Now on with the show!

Possibly the best seats in the house.

After a short introduction where all the artists were plugged accompanied by some dazzling lights and graphics, Okui Masami burst on to the stage with 「輪舞-revolution」 (Rinbu revolution). And wait she’s singing duet with someone, who is it? It’s Mizuki Nana! Rinbu was already a great song and in duet form with Makkun and Nana-chan live, it was a phenomenal opening number.

A short MC followed with Makkun and Nana talking about how great it was to be doing Animelo again, stuff about the duet… to be honest I don’t remember much of it clearly since I was still reeling from the how fantastic the opening was. Nana then made to leave the stage and as we hoped started heading in our direction. We called out to her but she headed straight down the stairs and our attention turned back to Okui Masami at centre stage.

Makkun then performed her set, 「-w-」 and 「空にかける橋」 (Sora ni kakeru Hashi) from Tales of Eternia. Okui Masami has really come a long way, establishing her own independent label and becoming just an excellent live artist. She definitely seemed at ease and in her own element at Animelo.

Next up was Momoi Halko with her set, 「Romantic Summer」and 「WONDER MOMO-i」. I’ll admit I’m not a Momoi fan but as a live artist she is pretty damn good and the crowd really ate it all up. She was singing with her famous dempa style and doing a great job. Recently at houkoholic’s suggestion, I’ve listened to her cover album, which is actually pretty good. Her cover of 「ゆずれない願い」 and 「God knows…」 is damn good and I kind of wished she would sing like that more often. Unfortunately Momoi left the stage on the other side so we didn’t get to wave at her.

Some violinists had been gathering at the stairs during Momoi’s performance and there had been some speculation who would be appearing next. As we’d hoped Chihara Minori entered the stage from the centre lift to perform 「 純白サンクチュアリィ」(Junpaku Sanctuary) and 「君がくれたあの日」(Kimi ga Kureta Ano Hi). Her performance on 「Junpaku Century」 seemed a bit weak but Minorin picked it up for an excellent 「Kimi ga Kureta Ano Hi」. We had been expecting to hear this one live and it was a complete thrill to hear it performed flawlessly.

Minorin then introduced the next act, Cy-Rim rev. The lead singer ,miru, came out with this lightsaber of a microphone stand. There was a short bit of banter with Minorin who pointed out that miru’s glasses didn’t have lenses in them. Cy-Rim rev. then performed 「恋のDice☆教えて」(Koi no Dice Oshiete). I had never heard this song before but they did a pretty good job of it.

After that, the stage stayed dark as the long intro for the next song was played. It was Takarano Arika of ALI PROJECT and Nana(!) singing the Rozen Maiden Träumend opening theme 「聖少女領域」 (Seishoujou Ryouiki). It was an awesome duet topped off with complementing goth outfits, Arika in white and Nana in black.

Another short MC followed with Nana-chan saying it was a great experience singing one of ALI PROJECT’s song in a duet, and Arika said that she would like to sing one of Nana-chan’s songs and perhaps next time they can sing one together, and the crowd errupted into an enourmous cheer. Nana-chan followed the crowd’s reaction turning it into something of a promise. So maybe we will get to hear them singing together at the next Animelo.

Next up was Takahashi Naozumi. While I’m not particularly interested in his songs, there’s no denying he’s a great performer. He did his set of 「てのひら」(Tenohira) and 「君に会えてよかった」 (Kimi ni Aete Yokatta) with a great gusto, though to be honest I think his selection last year was more interesting, at least for me.

Kuribayashi Minami came out next with 「Yell!」 the ending theme Super Robot Wars OG and 「翼はPleasure Line」 (Tsubasa wa Pleasure Line) the opening for Chrno Crusade. The crowd loved this and made me regret for the second time that I hadn’t gotten around to watching it.

Suara then took the stage as we waved excitedly at Minami as she went passed us. While I had heard 「夢想歌」 (Musouka) a few times, it left a fairly ordinary impression. However, live, was another story as Suara earned plenty of respect, especially when she sang 「キミガタメ」 (Kimigatame) and really nailed the performance. It was something to behold.

Following Suara was Oumi Tomoe. Tomoe made her first appearance at the first Animelo back in 2005. She’s actually signed on to Makkun’s label and Makkun produced her first single. She performed 「Float~空の彼方で~」 (Float ~ Sora no Kanate e ~) the ending theme for SoltyRei which incidentally she was cast as a seiyuu. Tomoe then sang a cover of 「ロックリバーへ」 (Rock river e) which was cute. She seemed to have quite a few fans in the crowd judging by the reaction she got and overall she’s not bad.

Next up was the duet with Kuribayashi Minami and Momoi Halko. Momoi was dressed in her famous school uniform brandishing her keytar. Minami also wore a school uniform as they sang 「うしろゆびさされ組」(Ushiro Yubi Sasaregumi) which is actually by a unit of the same name made up of two Onyanko Club members, Takai Mamiko and Iwai Yukiko (Yuuyu). I didn’t really know the song but it was cute and prompt some back stage antics from m.o.v.e rapper, motsu.

While Minami and Momoi were on stage, I noticed the m.o.v.e guys had come out to check out the stage as they were coming up next. motsu was already getting in the mood pumping his hand in the hard, then he started mimicking the girls dancing on stage while t-kimura checked over his 6 keyboard setup. It looked like they were getting pretty hyper and they didn’t disappoint!

The m.o.v.e set was one of the high points of the concert. I hadn’t seen them live before but, damn, they were good. yuri is just as good live as in the studio and motsu is just crazy hyper. Whatever’s he’s on, I want it. How t-kimura could keep playing without missing a beat while motsu destroyed his keyboard stands is still amazing. They performed their new single 「Systematic Fantasy」 and then rocked the house with 「Gamble Rumble」 from Initial D: Third Stage. Awesome? You betcha.

The first of the special guests, Yabeno Hikomaru (Denchu) & Kotohime (MOMOEIKA), were up next with 「レッツゴー!陰陽師」 (Let’s Go! Onmyouji). You might have seen the video clip before on niconico douga or youtube and it’s just as funny live. The audience really got into too, singing along with the chorus.

Then it was Psychic Lover with the Dekaranger theme song 「特捜戦隊デカレンジャー」(Tokusou Sentai Dekaranger) and 「XTC」 the Witchblade opening. They guys had great energy and worked the crowd really well. Everyone was singing along with the Dekaranger theme song.

Jyukai then took the stage with a change of pace that was just perfect. Manami’s live rendition of the Fate/stay night ending 「あなたがいた森」(Anata ga ita Mori) was something to behold. But she was not done yet as she then topped that with an awesome performance of 「咲かせてはいけない花」 (Sakasete wa Ikenai Hana) which I hadn’t heard before but I really want now.

With a smoke filled entrance and men dancing in drag, ALI PROJECT returned with one of the songs we’d been waiting to hear all night. The Code Geass ending theme 「勇侠青春謳」 (Yuukyou Seishunka). At this point I’m starting to run out of synonyms for “awesome” but it was simply that. 「暗黒天国」 (Ankoku Tengoku) and 「跪いて足をお嘗め」 (Hizamazuite Ashi o Oname) were great as well but Yuukyou Seishunka took the cake.

Then something unexpected happened. A familiar opening started playing. It was 「魂のルフラン」 (Tamashii no Refrain) and Takahashi Youko appeared. The crowd too hadn’t expected this but immediately started cheering. Takahashi Youko went on to complete what turned out to be a medley with 「残酷な天使のテーゼ」 (Zankoku na Tenshi no These). I knew I always thought she was an awesome vocalist and to finally hear her live is just mind-blowing. I was a little surprised that she immediately and quickly left the stage as soon as she finished. I guess her duties for the Eva hype machine were done.

Next was the last of the special guests. There were some technical difficulties with her guitarist unable to get sound and she’d been standing there in the dark for a while. I was tempted to call out to her but I wasn’t sure. But no one else is that thin, so it had to be, and it was Hirano Aya. I’ll be honest, it took me a good 30 seconds and houkoholic yelling the song name at me before I realised it was a heavily mangled grunge remix of 「冒険でしょでしょ?」 (Bouken Desho Desho?). Unfortunately, this was not a good mix. The new electric guitar heavy version doesn’t suit what is now a famous anime-pop theme at all. Aya was practically shouting most of the song and the crowd didn’t know what was going on at the time. No one could really get into since this version hasn’t had the exposure of the original and definitely not as catchy. Poor Aya-chan, between bad remixes and technical difficulties, nothing seems to put her in a good light for live performances and this doesn’t come close to living up to Episode 11 「God knows…」and 「Lost my music」 awesomeness even though that was faux live.

But not to be derailed, JAM Project stormed on stage next with three crowd-busting songs in the form of 「Break Out」 (the SRWOG anime opening theme), 「VICTORY」(SRWMX PS2 opening theme) and, of course, 「SKILL」. JAM Project is truly one of the best live acts. There’s just so much energy when they take the stage. 「SKILL」 is pretty much something they have to sing every time as the audience is completely swept up in it. This time is was super long extended with the “I can fly” chorus with the audience joining in lasting for a good 3 minutes on its own. Their set was fantastic, especially since houkoholic called out to Fukuyama-san while he was waiting to go on stage. He kept coming back over to our section of the stage because our entire section was going crazy. With the crowd all pumped again, it was time for our favourite act of the night.

Nana-chan returned to the stage with 「Justice to Believe」and 「Secret Ambition」and the energy just hit the roof. 「Secret Ambition」 was totally expected as it’s the Nanoha StrikerS opening and hearing it live for the second time raises it’s enjoyment immensely. There was a short MC next where Nana-chan announced she was going to sing something live for the first time. When she mentioned it was from a PS2 game, we were already cheering. And then she revealed it was Shining Wind and we knew it was the song we’d been hoping to hear her sing live, 「Heart-shaped chant」. I pretty much lost it at this point. 「Heart shaped-chant」 is already an awesome song that really shows off Nana’s vocal ability. Hearing it performed live, well, it’s beyond words. Everything melted together at that point and I was transported to a sea of swaying lights as Animelo reached it’s climax.

Makkun joined Nana on stage and called out the artists for the final song, Animelo Summer Live 2007’s theme song, 「Generation-A」. On it’s own 「Generation-A」 is fairly plain and I’m thinking last year’s theme song, 「OUTRIDE」, is still a better song. But what made it on the night was when motsu from m.o.v.e started rapping in the middle of the song and suddenly it leapt from being ordinary to something I really wanted. It’s too bad that I’ll have to wait for the DVD to get it since I don’t think they’ll be clued in enough to re-release the single with the live version on it.

After that they waved to everyone and started leaving the stage with all of them heading towards our stage exit. Of course, we didn’t let this opportunity slip by and called out to everyone who we could remember the names of. And this time, Nana-chan finally turned and acknowledged us with a wave.

Of course, it wasn’t over yet. With the lights still dimmed, the requisite 「An-ko-re」 (encore) chanting started. It was probably a good 5 minutes before everyone returned to the stage for last year’s theme 「OUTRIDE」. The rest of the band members were then called out and everyone was introduced. Then each artist got to say their thank yous and a short comment to the audience before they finished with 「Generation-A」 one more time. motsu once again rapping to the beat and getting the crowd involved this time with “Everybody say Ho~oh!”. A grand finale with a shower of silver streamers and ticker tape. All the artists took a tour of the stage to wave to all sections of the audience and for the second time everyone left using our stage exit and so we called and waved to everyone again picking a few more names missed the first time around. And then it was over.

This year’s Animelo was such a rush. An unforgettable experience, with many, many awesome moments. Last year’s DVD was a bit of a mess but there’s no doubt that I want this year’s on DVD. Here’s hoping for a 5.1 soundtrack. There were certainly enough mics setup for it! Maybe even HD! (OK, I’m getting carried away.)

For more pics go to seiyunews.com. I’d steal his pics but hey.

Animelo Summer Live 2007 Set List

Posted by sent on Wednesday, July 18th, 2007 at 09:16

Yeah, I’m almost done. Here’s the set list first. It’s a long one.

  • ~Opening~
  • 01 Rinbu-revolution / Okui Masami, Mizuki Nana
  • ~MC~
  • 02 -w- / Okui Masami
  • 03 Sora ni kakeru hashi / Okui Masami
  • 04 Romantic summer / Momoi Halko
  • 05 WONDER MOMO-i / Momoi Halko
  • 06 Junpaku Sanctuary / Chihara Minori
  • 07 Kimi ga Kureta Ano Hi / Chihara Minori
  • 08 Koi no Dice Oshiete / Cy-Rim rev.
  • 09 Seishoujou Ryouiki / Takarano Arika, Mizuki Nana
  • ~MC~
  • 10 Tenohira / Takahashi Naozumi
  • 11 Kimi ni Aete Yokatta / Takahashi Naozumi
  • 12 Yell! / Kuribayashi Minami
  • 13 Tsubasa wa Pleasure Line / Kuribayashi Minami
  • 14 Musouka / Suara
  • 15 Kimigatame / Suara
  • 16 Float~Sora no Kanata e~/ Oumi Tomoe
  • 17 Rock River e / Oumi Tomoe
  • 18 Ushiroyubisasaregumi / Kuribayashi Minami, Momoi Halko
  • ~MC~
  • 19 Systematic Fantasy / m.o.v.e
  • 20 Gamble Rumble / m.o.v.e
  • 21 Let’s Go! Onmyouji / Yabeno Hikomaru (Denchu) & Kotohime (MOMOEIKA) with Bouzu Dancers
  • 22 Tokusou Sentai Dekaranger / PSYCHIC LOVER
  • 23 XTC / PSYCHIC LOVER
  • 24 Anata ga ita Mori / Jyukai
  • 25 Sakasete wa Ikenai Hana / Jyukai
  • 26 Yuukyou Seishunka / ALI PROJECT
  • 27 Ankoku Tengoku / ALI PROJECT
  • 28 Hizamazuite Ashi o Oname / ALI PROJECT
  • 29 Tamashii no Refrain, Zankoku na Tenshi no These / Takahashi Youko
  • 30 Bouken Desho Desho? / Hirano Aya
  • 31 Break Out / JAM Project
  • 32 VICTORY / JAM Project
  • 33 SKILL / JAM Project
  • 34 Justice to Believe / Mizuki Nana
  • 35 SECRET AMBITION / Mizuki Nana
  • ~MC~
  • 36 Heart-shaped chant / Mizuki Nana
  • 37 Generation-A
  • ~Encore~
  • EN-1 OUTRIDE
  • EN-2 Generation-A / All artists and band members

Lantis和King Records的走向

Posted by houkoholic on Monday, June 25th, 2007 at 08:16

(很久沒寫中文文章)

不久之前King社的某高層曾說過要加強旗下的動畫和聲優音樂發展, 但是當全世界的音樂商都在頭痛CD銷量下滑的情況下, 為甚麼ACG界反而強調這一方面的發展呢? 當然和御宅族的忠誠習性有莫大關係, 近期ACG系的CD銷量直線上昇, 更有直逼主流音樂CD的銷量的趨勢. 成本遠比動畫製作甚至主流音樂低而利潤又高的動畫CD業在商人眼中當然不能夠放過. 而現在ACG界中的兩大頭音樂社King Records和Lantis雖然現在各有強項, 但很明顯它們想達到的目標卻是一樣的, 在說明這個目標是什麼前, 現在先說一說兩間公司的現狀吧.

首先說King, 為了方便把子公司Starchild也連在一起說吧. King現在可是很令他社羨慕的公司, 無他, 現在銷量最好的ACG歌手大多都是它旗下的藝人 – 堀江由衣, 水樹奈々, 還有最近正式歸屬的田村ゆかり, 三名都是現在僅有可以多憑自己名氣少靠tie-up作品品質而有資格入Oricon週間十大的聲優歌手. 雖然現況甚好但是對於King來說它的未來發展就沒有那麼樂觀, 原因就是King其他的ACG音樂商機卻是不太理想. 除了靠King本身有份投資的動畫作品而用自己旗下的聲優歌手作出tie-up的做法外, 很少會有作品會來跟King要用它旗下的歌手來負責音樂. 其次就是上述的三大天后的”嘗味期限”雖然還不能夠說近, 但是在King多番努力下現在還後接無人的情況下前景實在是大大的不太妙. 不能永遠只靠三位聲優歌手而且動畫音樂也沒甚麼看頭的King當然就想加強旗下的陣容了. 雖然嘴上這樣說但King的進展還是慢得可以(日本人特性?), 到最近都還沒有什麼實質的新動作. 除了還是玩那組聲優樂隊那老把戲試金石和開始大力推捧還甚有發展力的田村ゆかり外, 不久前竟然還要出到把老手林原大姐再請出來灌了大碟這一著. 長遠發展暫時並不樂觀.

另一方面Lantis可以說是正相反. 現在隨便看一套動畫都差不多可以看到Lantis是音樂方面的贊助, 而且它旗下還不缺乏一群雖然不能夠像三天后那樣輝煌但還有一定銷量保證的歌手例如JAM Project, CooRie, 粟林みな実等, 但對Lantis來說它發售的CD中銷量最好的往往是要靠超人氣作品帶動的. 只要拿涼宮與因這套作品紅得發紫的平野綾個人單曲”明日のプリズム”比較一下就知道, Lantis現在旗下的歌手在個人程度來說是大多都沒有足夠的號召力. 每次都要擔懮作品有沒有可能可以達到像涼宮或最近的らき☆すた那種驚人的人氣程度才有銷量保證的話對公司來說當然也不是辦法, 所以Lantis便積極地簽了一群聲優歌手來加強實力. 雖然手上已經有了平野綾這一未來大將, 但是其實現在的平野綾靠的還是演出作品的間接人氣. 平野綾雖然有一定的潛質, 而且Lantis很明顯是看到”God Knows…”等的表現和她的衣著性格而想將平野綾培養成一個靠搖滾歌的小rock后, 可是平野綾本身在音樂上的表現還沒有足夠的實力, 個人風格和演出經驗(特別是live)可以和King的三大天后周旋 – 歌唱力不及水樹奈々, 風格變化不及田村ゆかり, 暫時也沒有由衣的招牌糖衣歌. 加上沒有可能只靠一個人來支撐場面, 所以Lantis還簽下另一位同是涼宮出品的聲優歌手 – 茅原実里. 如果說平野綾是偏向堀江由衣那種賣特定音樂形像的聲優歌手, 那茅原実里就是走水樹奈々那樣的正統實力派. 只要一聽和看茅原実里最近的作品”君がくれたあの日”就已經一目了然公司要她走的方向了, 實在是有向水樹奈々的名曲”Eternal Blaze”作出宣戰的模樣. 加上茅原実里本身的音樂造詣不低, 還有不能小看的live實力(她今年可以出席Animelo已經是一個很好的證明, 不能唱live的人去Animelo簡直是自討苦吃), 她已經成為了Lantis主力力捧的另一對象. 最後擔當和田村ゆかり對台的好可能就是SOS團最後的團員 – 後藤邑子. 她的新作單曲已經宣佈會在八月發售.

為什麼King和Lantis都這麼積極地加強聲優和歌手的陣容呢? 答案就是想做到”一手包辦”這個目的. 要知道現今日本動畫界”製作委員會”制度是異常的複雜和麻煩, 但當音樂公司可以一手包辦主題曲和聲優唱的character song的製作的話, 一來可以減少委員的數目而不必把收入分薄, 而音樂公司自身在業界的地位和收入也相對地提高, 是一石二鳥的發展計劃. 所以兩公司才會有這樣的發展方針. 至於它們會不會成功, 我們便放長雙眼來看吧.


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