Archive for the ‘平野綾’ Category

Animelo Summer Live 2008 announced - and a bit of shocking news from JAM Project

Posted by houkoholic on Friday, April 11th, 2008 at 23:48

Well they finally announced it - one of the hottest anisong events Animelo Summer is on this year and the official site is now open. A preliminary list of artists attending are already on the site - with familiar names such as ALI Project, Kuribayashi Minami, Mizuki Nana, Chihara Minori, Ishikawa Chiaki, JAM Project, Momoi Halko, Hirano Aya, and two new players GRANRODEO and angela.

This year’s key word is “Challenge” - and with that they are definitely taking some new organizational challenges by not only upping the venue scale from Budoukan to Saitama Super Arena (the capacity depending on layout can be up to double the size), but also splitting the concert into two days, with what appears to be different artists performing on different days. I’m a bit torn on this move - as much as I like the prospects of two days worth of awesome live performances of anisongs, I don’t like them leaving me no choices but to go to both days to see all the artists I want to see.

On a related note, one of JAM Project’s long time female member Matsumoto Rika broke news shortly after the closing of JAM Project’s domestic concert tour that she will no longer take part in JAM Project and JAM Project related events. While hopeful fans were praying that it’s a late April’s Fool, but the profile picture of JAM Project at Animelo reflected this change. It’s a big blow to JAM Project, especially that JAM Project is supposedly doing a world tour this year (and what’s up with that anyway? Hardly any news is out regarding the schedule). Otakon still has her listed as guest, but I guess it’s up in the air.

animelo2008.jpg

Animelo Summer Live 2007 DVD - the short review

Posted by sent on Thursday, November 29th, 2007 at 00:40

Let’s get the bad bits out of the way first:

The video is bad, as in “zomg I see pixels”. Packaging leaves much to be desired as well for the full price. But get over it.

The sound is still linear PCM Stereo. OK, not 5.1, but the mixing is good and consequently the awesome songs are still awesome.

Rewatching all the songs, the awesome feeling is still there.

Multi-angle for the duets and last encore is epic win. They’ve finally discovered the DVD spec.generation-a2.jpg

Must see acts: Suara, Jyukai, Nana (of course), all the duets, JAM Project, move, Takahashi Youko, Okui Masami. (Actually it’s really hard to leave people out of this list.)

Skippable: Bouken Desho Desho ~ Punk Desho version.

Major disappointment: They took out Dekaranger.

Verdict: Buy (Better with discount)

Link: Amazon.jp / CD Japan

Animelo Summer Live 2007 DVD out in November

Posted by sent on Tuesday, August 14th, 2007 at 18:00

Ah you’ve all been waiting for this, including me. Yes, the Animelo Summer Live 2007 DVD will be released this November. It’s a bit pricey at 8,900 yen but you do get three discs and there’s a good chance they’ll get it right this time. It’s still cheaper that last year’s debacle that’s for sure.

Anipara happened to do a quick recap of the event which I’ve embedded below. Enjoy!

We are Generation-A

Posted by sent on Wednesday, July 25th, 2007 at 18:44

Getting tickets to Animelo 2007 proved to be a much more difficult task than last year. With none of the fan clubs getting any allocation and the tickets in general moving to a tiered pricing system, competition was hot at the ticket box and internet sales. So auctions it was, but I must say it was a great score bettering the great tickets we got for the first Animelo.

They're going in!

This was the second time at Budokan and I hope the last. While Budokan has a cozy atmosphere almost akin to a live house, Animelo really demands a bigger venue. As usual the place was packed by the time we got there and the goods this year looked pretty enticing. I ended up getting a t-shirt since I didn’t have enough cash for the suede hat they had.

The usual rabble outside. Oh look, flower stands.

Things were looking up after getting inside. This year’s stage setup had a centre extension out into the arena. They also retained most of the side stages although there were not as long as last years. The arena people would definitely get a good show. Sure, we weren’t able to see what was going on from in front, but I think we were in for a much better treat. Now on with the show!

Possibly the best seats in the house.

After a short introduction where all the artists were plugged accompanied by some dazzling lights and graphics, Okui Masami burst on to the stage with 「輪舞-revolution」 (Rinbu revolution). And wait she’s singing duet with someone, who is it? It’s Mizuki Nana! Rinbu was already a great song and in duet form with Makkun and Nana-chan live, it was a phenomenal opening number.

A short MC followed with Makkun and Nana talking about how great it was to be doing Animelo again, stuff about the duet… to be honest I don’t remember much of it clearly since I was still reeling from the how fantastic the opening was. Nana then made to leave the stage and as we hoped started heading in our direction. We called out to her but she headed straight down the stairs and our attention turned back to Okui Masami at centre stage.

Makkun then performed her set, 「-w-」 and 「空にかける橋」 (Sora ni kakeru Hashi) from Tales of Eternia. Okui Masami has really come a long way, establishing her own independent label and becoming just an excellent live artist. She definitely seemed at ease and in her own element at Animelo.

Next up was Momoi Halko with her set, 「Romantic Summer」and 「WONDER MOMO-i」. I’ll admit I’m not a Momoi fan but as a live artist she is pretty damn good and the crowd really ate it all up. She was singing with her famous dempa style and doing a great job. Recently at houkoholic’s suggestion, I’ve listened to her cover album, which is actually pretty good. Her cover of 「ゆずれない願い」 and 「God knows…」 is damn good and I kind of wished she would sing like that more often. Unfortunately Momoi left the stage on the other side so we didn’t get to wave at her.

Some violinists had been gathering at the stairs during Momoi’s performance and there had been some speculation who would be appearing next. As we’d hoped Chihara Minori entered the stage from the centre lift to perform 「 純白サンクチュアリィ」(Junpaku Sanctuary) and 「君がくれたあの日」(Kimi ga Kureta Ano Hi). Her performance on 「Junpaku Century」 seemed a bit weak but Minorin picked it up for an excellent 「Kimi ga Kureta Ano Hi」. We had been expecting to hear this one live and it was a complete thrill to hear it performed flawlessly.

Minorin then introduced the next act, Cy-Rim rev. The lead singer ,miru, came out with this lightsaber of a microphone stand. There was a short bit of banter with Minorin who pointed out that miru’s glasses didn’t have lenses in them. Cy-Rim rev. then performed 「恋のDice☆教えて」(Koi no Dice Oshiete). I had never heard this song before but they did a pretty good job of it.

After that, the stage stayed dark as the long intro for the next song was played. It was Takarano Arika of ALI PROJECT and Nana(!) singing the Rozen Maiden Träumend opening theme 「聖少女領域」 (Seishoujou Ryouiki). It was an awesome duet topped off with complementing goth outfits, Arika in white and Nana in black.

Another short MC followed with Nana-chan saying it was a great experience singing one of ALI PROJECT’s song in a duet, and Arika said that she would like to sing one of Nana-chan’s songs and perhaps next time they can sing one together, and the crowd errupted into an enourmous cheer. Nana-chan followed the crowd’s reaction turning it into something of a promise. So maybe we will get to hear them singing together at the next Animelo.

Next up was Takahashi Naozumi. While I’m not particularly interested in his songs, there’s no denying he’s a great performer. He did his set of 「てのひら」(Tenohira) and 「君に会えてよかった」 (Kimi ni Aete Yokatta) with a great gusto, though to be honest I think his selection last year was more interesting, at least for me.

Kuribayashi Minami came out next with 「Yell!」 the ending theme Super Robot Wars OG and 「翼はPleasure Line」 (Tsubasa wa Pleasure Line) the opening for Chrno Crusade. The crowd loved this and made me regret for the second time that I hadn’t gotten around to watching it.

Suara then took the stage as we waved excitedly at Minami as she went passed us. While I had heard 「夢想歌」 (Musouka) a few times, it left a fairly ordinary impression. However, live, was another story as Suara earned plenty of respect, especially when she sang 「キミガタメ」 (Kimigatame) and really nailed the performance. It was something to behold.

Following Suara was Oumi Tomoe. Tomoe made her first appearance at the first Animelo back in 2005. She’s actually signed on to Makkun’s label and Makkun produced her first single. She performed 「Float~空の彼方で~」 (Float ~ Sora no Kanate e ~) the ending theme for SoltyRei which incidentally she was cast as a seiyuu. Tomoe then sang a cover of 「ロックリバーへ」 (Rock river e) which was cute. She seemed to have quite a few fans in the crowd judging by the reaction she got and overall she’s not bad.

Next up was the duet with Kuribayashi Minami and Momoi Halko. Momoi was dressed in her famous school uniform brandishing her keytar. Minami also wore a school uniform as they sang 「うしろゆびさされ組」(Ushiro Yubi Sasaregumi) which is actually by a unit of the same name made up of two Onyanko Club members, Takai Mamiko and Iwai Yukiko (Yuuyu). I didn’t really know the song but it was cute and prompt some back stage antics from m.o.v.e rapper, motsu.

While Minami and Momoi were on stage, I noticed the m.o.v.e guys had come out to check out the stage as they were coming up next. motsu was already getting in the mood pumping his hand in the hard, then he started mimicking the girls dancing on stage while t-kimura checked over his 6 keyboard setup. It looked like they were getting pretty hyper and they didn’t disappoint!

The m.o.v.e set was one of the high points of the concert. I hadn’t seen them live before but, damn, they were good. yuri is just as good live as in the studio and motsu is just crazy hyper. Whatever’s he’s on, I want it. How t-kimura could keep playing without missing a beat while motsu destroyed his keyboard stands is still amazing. They performed their new single 「Systematic Fantasy」 and then rocked the house with 「Gamble Rumble」 from Initial D: Third Stage. Awesome? You betcha.

The first of the special guests, Yabeno Hikomaru (Denchu) & Kotohime (MOMOEIKA), were up next with 「レッツゴー!陰陽師」 (Let’s Go! Onmyouji). You might have seen the video clip before on niconico douga or youtube and it’s just as funny live. The audience really got into too, singing along with the chorus.

Then it was Psychic Lover with the Dekaranger theme song 「特捜戦隊デカレンジャー」(Tokusou Sentai Dekaranger) and 「XTC」 the Witchblade opening. They guys had great energy and worked the crowd really well. Everyone was singing along with the Dekaranger theme song.

Jyukai then took the stage with a change of pace that was just perfect. Manami’s live rendition of the Fate/stay night ending 「あなたがいた森」(Anata ga ita Mori) was something to behold. But she was not done yet as she then topped that with an awesome performance of 「咲かせてはいけない花」 (Sakasete wa Ikenai Hana) which I hadn’t heard before but I really want now.

With a smoke filled entrance and men dancing in drag, ALI PROJECT returned with one of the songs we’d been waiting to hear all night. The Code Geass ending theme 「勇侠青春謳」 (Yuukyou Seishunka). At this point I’m starting to run out of synonyms for “awesome” but it was simply that. 「暗黒天国」 (Ankoku Tengoku) and 「跪いて足をお嘗め」 (Hizamazuite Ashi o Oname) were great as well but Yuukyou Seishunka took the cake.

Then something unexpected happened. A familiar opening started playing. It was 「魂のルフラン」 (Tamashii no Refrain) and Takahashi Youko appeared. The crowd too hadn’t expected this but immediately started cheering. Takahashi Youko went on to complete what turned out to be a medley with 「残酷な天使のテーゼ」 (Zankoku na Tenshi no These). I knew I always thought she was an awesome vocalist and to finally hear her live is just mind-blowing. I was a little surprised that she immediately and quickly left the stage as soon as she finished. I guess her duties for the Eva hype machine were done.

Next was the last of the special guests. There were some technical difficulties with her guitarist unable to get sound and she’d been standing there in the dark for a while. I was tempted to call out to her but I wasn’t sure. But no one else is that thin, so it had to be, and it was Hirano Aya. I’ll be honest, it took me a good 30 seconds and houkoholic yelling the song name at me before I realised it was a heavily mangled grunge remix of 「冒険でしょでしょ?」 (Bouken Desho Desho?). Unfortunately, this was not a good mix. The new electric guitar heavy version doesn’t suit what is now a famous anime-pop theme at all. Aya was practically shouting most of the song and the crowd didn’t know what was going on at the time. No one could really get into since this version hasn’t had the exposure of the original and definitely not as catchy. Poor Aya-chan, between bad remixes and technical difficulties, nothing seems to put her in a good light for live performances and this doesn’t come close to living up to Episode 11 「God knows…」and 「Lost my music」 awesomeness even though that was faux live.

But not to be derailed, JAM Project stormed on stage next with three crowd-busting songs in the form of 「Break Out」 (the SRWOG anime opening theme), 「VICTORY」(SRWMX PS2 opening theme) and, of course, 「SKILL」. JAM Project is truly one of the best live acts. There’s just so much energy when they take the stage. 「SKILL」 is pretty much something they have to sing every time as the audience is completely swept up in it. This time is was super long extended with the “I can fly” chorus with the audience joining in lasting for a good 3 minutes on its own. Their set was fantastic, especially since houkoholic called out to Fukuyama-san while he was waiting to go on stage. He kept coming back over to our section of the stage because our entire section was going crazy. With the crowd all pumped again, it was time for our favourite act of the night.

Nana-chan returned to the stage with 「Justice to Believe」and 「Secret Ambition」and the energy just hit the roof. 「Secret Ambition」 was totally expected as it’s the Nanoha StrikerS opening and hearing it live for the second time raises it’s enjoyment immensely. There was a short MC next where Nana-chan announced she was going to sing something live for the first time. When she mentioned it was from a PS2 game, we were already cheering. And then she revealed it was Shining Wind and we knew it was the song we’d been hoping to hear her sing live, 「Heart-shaped chant」. I pretty much lost it at this point. 「Heart shaped-chant」 is already an awesome song that really shows off Nana’s vocal ability. Hearing it performed live, well, it’s beyond words. Everything melted together at that point and I was transported to a sea of swaying lights as Animelo reached it’s climax.

Makkun joined Nana on stage and called out the artists for the final song, Animelo Summer Live 2007’s theme song, 「Generation-A」. On it’s own 「Generation-A」 is fairly plain and I’m thinking last year’s theme song, 「OUTRIDE」, is still a better song. But what made it on the night was when motsu from m.o.v.e started rapping in the middle of the song and suddenly it leapt from being ordinary to something I really wanted. It’s too bad that I’ll have to wait for the DVD to get it since I don’t think they’ll be clued in enough to re-release the single with the live version on it.

After that they waved to everyone and started leaving the stage with all of them heading towards our stage exit. Of course, we didn’t let this opportunity slip by and called out to everyone who we could remember the names of. And this time, Nana-chan finally turned and acknowledged us with a wave.

Of course, it wasn’t over yet. With the lights still dimmed, the requisite 「An-ko-re」 (encore) chanting started. It was probably a good 5 minutes before everyone returned to the stage for last year’s theme 「OUTRIDE」. The rest of the band members were then called out and everyone was introduced. Then each artist got to say their thank yous and a short comment to the audience before they finished with 「Generation-A」 one more time. motsu once again rapping to the beat and getting the crowd involved this time with “Everybody say Ho~oh!”. A grand finale with a shower of silver streamers and ticker tape. All the artists took a tour of the stage to wave to all sections of the audience and for the second time everyone left using our stage exit and so we called and waved to everyone again picking a few more names missed the first time around. And then it was over.

This year’s Animelo was such a rush. An unforgettable experience, with many, many awesome moments. Last year’s DVD was a bit of a mess but there’s no doubt that I want this year’s on DVD. Here’s hoping for a 5.1 soundtrack. There were certainly enough mics setup for it! Maybe even HD! (OK, I’m getting carried away.)

For more pics go to seiyunews.com. I’d steal his pics but hey.

Animelo Summer Live 2007 Set List

Posted by sent on Wednesday, July 18th, 2007 at 09:16

Yeah, I’m almost done. Here’s the set list first. It’s a long one.

  • ~Opening~
  • 01 Rinbu-revolution / Okui Masami, Mizuki Nana
  • ~MC~
  • 02 -w- / Okui Masami
  • 03 Sora ni kakeru hashi / Okui Masami
  • 04 Romantic summer / Momoi Halko
  • 05 WONDER MOMO-i / Momoi Halko
  • 06 Junpaku Sanctuary / Chihara Minori
  • 07 Kimi ga Kureta Ano Hi / Chihara Minori
  • 08 Koi no Dice Oshiete / Cy-Rim rev.
  • 09 Seishoujou Ryouiki / Takarano Arika, Mizuki Nana
  • ~MC~
  • 10 Tenohira / Takahashi Naozumi
  • 11 Kimi ni Aete Yokatta / Takahashi Naozumi
  • 12 Yell! / Kuribayashi Minami
  • 13 Tsubasa wa Pleasure Line / Kuribayashi Minami
  • 14 Musouka / Suara
  • 15 Kimigatame / Suara
  • 16 Float~Sora no Kanata e~/ Oumi Tomoe
  • 17 Rock River e / Oumi Tomoe
  • 18 Ushiroyubisasaregumi / Kuribayashi Minami, Momoi Halko
  • ~MC~
  • 19 Systematic Fantasy / m.o.v.e
  • 20 Gamble Rumble / m.o.v.e
  • 21 Let’s Go! Onmyouji / Yabeno Hikomaru (Denchu) & Kotohime (MOMOEIKA) with Bouzu Dancers
  • 22 Tokusou Sentai Dekaranger / PSYCHIC LOVER
  • 23 XTC / PSYCHIC LOVER
  • 24 Anata ga ita Mori / Jyukai
  • 25 Sakasete wa Ikenai Hana / Jyukai
  • 26 Yuukyou Seishunka / ALI PROJECT
  • 27 Ankoku Tengoku / ALI PROJECT
  • 28 Hizamazuite Ashi o Oname / ALI PROJECT
  • 29 Tamashii no Refrain, Zankoku na Tenshi no These / Takahashi Youko
  • 30 Bouken Desho Desho? / Hirano Aya
  • 31 Break Out / JAM Project
  • 32 VICTORY / JAM Project
  • 33 SKILL / JAM Project
  • 34 Justice to Believe / Mizuki Nana
  • 35 SECRET AMBITION / Mizuki Nana
  • ~MC~
  • 36 Heart-shaped chant / Mizuki Nana
  • 37 Generation-A
  • ~Encore~
  • EN-1 OUTRIDE
  • EN-2 Generation-A / All artists and band members

Lantis和King Records的走向

Posted by houkoholic on Monday, June 25th, 2007 at 08:16

(很久沒寫中文文章)

不久之前King社的某高層曾說過要加強旗下的動畫和聲優音樂發展, 但是當全世界的音樂商都在頭痛CD銷量下滑的情況下, 為甚麼ACG界反而強調這一方面的發展呢? 當然和御宅族的忠誠習性有莫大關係, 近期ACG系的CD銷量直線上昇, 更有直逼主流音樂CD的銷量的趨勢. 成本遠比動畫製作甚至主流音樂低而利潤又高的動畫CD業在商人眼中當然不能夠放過. 而現在ACG界中的兩大頭音樂社King Records和Lantis雖然現在各有強項, 但很明顯它們想達到的目標卻是一樣的, 在說明這個目標是什麼前, 現在先說一說兩間公司的現狀吧.

首先說King, 為了方便把子公司Starchild也連在一起說吧. King現在可是很令他社羨慕的公司, 無他, 現在銷量最好的ACG歌手大多都是它旗下的藝人 - 堀江由衣, 水樹奈々, 還有最近正式歸屬的田村ゆかり, 三名都是現在僅有可以多憑自己名氣少靠tie-up作品品質而有資格入Oricon週間十大的聲優歌手. 雖然現況甚好但是對於King來說它的未來發展就沒有那麼樂觀, 原因就是King其他的ACG音樂商機卻是不太理想. 除了靠King本身有份投資的動畫作品而用自己旗下的聲優歌手作出tie-up的做法外, 很少會有作品會來跟King要用它旗下的歌手來負責音樂. 其次就是上述的三大天后的”嘗味期限”雖然還不能夠說近, 但是在King多番努力下現在還後接無人的情況下前景實在是大大的不太妙. 不能永遠只靠三位聲優歌手而且動畫音樂也沒甚麼看頭的King當然就想加強旗下的陣容了. 雖然嘴上這樣說但King的進展還是慢得可以(日本人特性?), 到最近都還沒有什麼實質的新動作. 除了還是玩那組聲優樂隊那老把戲試金石和開始大力推捧還甚有發展力的田村ゆかり外, 不久前竟然還要出到把老手林原大姐再請出來灌了大碟這一著. 長遠發展暫時並不樂觀.

另一方面Lantis可以說是正相反. 現在隨便看一套動畫都差不多可以看到Lantis是音樂方面的贊助, 而且它旗下還不缺乏一群雖然不能夠像三天后那樣輝煌但還有一定銷量保證的歌手例如JAM Project, CooRie, 粟林みな実等, 但對Lantis來說它發售的CD中銷量最好的往往是要靠超人氣作品帶動的. 只要拿涼宮與因這套作品紅得發紫的平野綾個人單曲”明日のプリズム”比較一下就知道, Lantis現在旗下的歌手在個人程度來說是大多都沒有足夠的號召力. 每次都要擔懮作品有沒有可能可以達到像涼宮或最近的らき☆すた那種驚人的人氣程度才有銷量保證的話對公司來說當然也不是辦法, 所以Lantis便積極地簽了一群聲優歌手來加強實力. 雖然手上已經有了平野綾這一未來大將, 但是其實現在的平野綾靠的還是演出作品的間接人氣. 平野綾雖然有一定的潛質, 而且Lantis很明顯是看到”God Knows…”等的表現和她的衣著性格而想將平野綾培養成一個靠搖滾歌的小rock后, 可是平野綾本身在音樂上的表現還沒有足夠的實力, 個人風格和演出經驗(特別是live)可以和King的三大天后周旋 - 歌唱力不及水樹奈々, 風格變化不及田村ゆかり, 暫時也沒有由衣的招牌糖衣歌. 加上沒有可能只靠一個人來支撐場面, 所以Lantis還簽下另一位同是涼宮出品的聲優歌手 - 茅原実里. 如果說平野綾是偏向堀江由衣那種賣特定音樂形像的聲優歌手, 那茅原実里就是走水樹奈々那樣的正統實力派. 只要一聽和看茅原実里最近的作品”君がくれたあの日”就已經一目了然公司要她走的方向了, 實在是有向水樹奈々的名曲”Eternal Blaze”作出宣戰的模樣. 加上茅原実里本身的音樂造詣不低, 還有不能小看的live實力(她今年可以出席Animelo已經是一個很好的證明, 不能唱live的人去Animelo簡直是自討苦吃), 她已經成為了Lantis主力力捧的另一對象. 最後擔當和田村ゆかり對台的好可能就是SOS團最後的團員 - 後藤邑子. 她的新作單曲已經宣佈會在八月發售.

為什麼King和Lantis都這麼積極地加強聲優和歌手的陣容呢? 答案就是想做到”一手包辦”這個目的. 要知道現今日本動畫界”製作委員會”制度是異常的複雜和麻煩, 但當音樂公司可以一手包辦主題曲和聲優唱的character song的製作的話, 一來可以減少委員的數目而不必把收入分薄, 而音樂公司自身在業界的地位和收入也相對地提高, 是一石二鳥的發展計劃. 所以兩公司才會有這樣的發展方針. 至於它們會不會成功, 我們便放長雙眼來看吧.

Making Noise with Trusty Bell

Posted by sent on Sunday, June 24th, 2007 at 05:33

Announced at the Tokyo Game Show in 2006, Bandai Namco’s next generation RPG offering, Trusty Bell ~ショパンの夢~ was a tantalising prospect. Even more enticing was finding out that Hirano Aya had been cast as the female lead character, Polka. But that was then and this is now. Fast forward 9 months, Trusty Bell is out and we, here at seiyuu3, have seen and heard more than enough of Hirano Aya.

There are some roles that Hirano Aya is very suited to. Haruhi springs instantly to mind. However there are roles that she clearly cannot do right now. And Polka is one of those.

Polka is of the tragic archetype. Struggling to be accepted, “make herself useful” as she puts it and most heart-wrenchingly, she’s dying from an incurable disease.  You want to feel for her and empathise knowing her situation. But early on in the game Aya’s characterisation, which is to say her “default voice”, starts to become at odds with Polka’s character. Now all those people who love her breathy, throaty, Hirano Aya specific noises will adore this game because that is exactly what Polka sounds like for the entire game. But that’s issue here. We’ve all heard it before. It doesn’t always suit the role she’s given. And after all, we want to hear acting. The hallmark of great voice acting is only realising who played that role when reading the credits at the end. And I’m afraid Aya just isn’t there yet.

This is not to say Aya won’t ever get there. In the earlier parts of Trusty Bell there are glimpses, moments where she hits the mark and shows potential. However, disappointingly, those were few and far between. And so her performance ends up serving as much more of a distraction from the game experience and takes away from an otherwise solid cast.

I wouldn’t say this is entirely her fault. Bear in mind the recording for Trusty Bell was probably done more than 6 months ago and possibly in amongst her many other roles she was cast in. After witnessing most of those over the last few months, I can say this: Aya is getting the variety of roles she needs to develop her acting, but I believe she’s just doing too many at the same time. She simply can’t give enough time developing her voice for a particular role before she’s whisked away to another studio and yet another character. Her schedule is insane. And her hospitalisation earlier this year can probably be largely attributed to that. I blame Kadokawa and Lantis.

She needs a break. I need a break. Some recent moves by Lantis may suggest that they actually realise this and we might all get some much deserved relief. And this will be good because despite the fact that Aya really grates right now, I do want to see her develop her acting and amaze me again. Time will tell.

As for Trusty Bell the game, it has it’s own problems.

Above all else, the music is excellent and the art and character designs are simply beautiful. Other highlights include appearances from Kuwashima Houko and Orikasa Fumiko in the form of Voila and Serenade. Their character designs quickly becoming my favourites.

Beyond that it’s hard to stay positive about this game. The biggest mistake you can make about Trusty Bell is expecting too much. A lot of people rail against this Tri-Crescendo game for being too short and too easy. They do have valid points but I firmly believe that NBGI are targeting a much younger audience than your seasoned RPG gamer. This is reinforced by the ending cutscenes where there is an obvious “message” and “moral to the story”. In that light, the execution makes a lot more sense. The battle system is action based and simple. The world is small and practically guides you where you need to go next. You can pick and choose your encounters and the best equipment is usually given to you. It’s child’s play.

All in all, it’s still an entertaining way to kill 30 odd hours but the story may leave you wanting for substance. The hardcores should definitely look elsewhere.

Viola FTW!

涼宮ハルヒの激奏

Posted by houkoholic on Monday, January 15th, 2007 at 21:33

A Haruhi live event is scheduled for March 18th.

Chaos ensures. 

平野綾XBOX360の新RPG「Trusty Bell」出演!

Posted by sent on Wednesday, September 27th, 2006 at 15:07

I think we still got somewhat of a scoop on this.

Hirano Aya is set to appear in Namco’s newest RPG for the Xbox360! Called 「Trusty Bell~ショパンの夢~」 (Chopin’s Dream) Aya plays the lead female role of Polka in what looks like to be a sleeper hit for the 360 and possibly the beginning of a new franchise for Namco.

It’s not been announced on the official page yet but visiting the Microsoft booth at the Tokyo Game Show,  there was no mistaking her when they played the preview trailer. Seconds later, it was confirmed when her name was credited on screen.

I’m very excited about this for a lot of reasons. The game actually looks really good, not just graphically but gameplay-wise too. The battle system appears to be a blend of Grandia and the Tales Of games. The encounters are visible in the field and battles are action based. The visuals are bright, lush, vivid with some beautiful cel-shaded animation for the characters. Of course I’m looking forward to hearing what kind of performance Aya will give us.

Keep an eye out for this one!

Animelo Summer Live 2006 -OUTRIDE- Report

Posted by sent on Tuesday, July 11th, 2006 at 01:54

Animelo Summer Live 2006Animelo Summer Live is establishing itself to be the premiere anime event of the summer. With a star-studded line up of artists this has to be one of the largest collaborative efforts the industry puts together to make this event possible. Kudos has to go to 奥井雅美 Okui Masami who, I believe, is the real driving force behind the Animelo Summer event. Last year concert was a success claiming over 7500 in attendance. This year at 日本武道館 Nippon Budokan, reportedly 10,000 anime fans turned up to witness the spectacle and spectacular it was.

Not even 15:30 and we're lining up to go in.Waiting around in line is never really fun so here is a shot for the sake of atmosphere and let’s get to the main event.

The stage setup was impressive. Jammed into the north end of Budokan, an array of guitars, keyboards and no less than 4 drum sets littered the stage in a setup that was designed to maximise the amount of seating available as possible. We were up on the 2nd tier on the South West side with a fairly clear view of the centre stage. But damn, it would have been great to have arena tickets again.

The night kicked off at 17:00 with a dazzling opening light show as the artists entered the stage in spectacular pro-wrestling-style. The concert that followed would be filled with old favourites and new releases in what was to be a huge 39 song set list.

Lasers! They had lasers! And smoke and fire!奥井雅美 and 栗林みな実 Kuribayashi Minami, started off in duet with 「Mask」 the 爆れつハンター Sorcerer Hunter ending theme. Kuribayashi Minami then continued on with her set of 「Rumbling Hearts」 (君が望む永遠 Game OP) and 「Crystal Energy」 from 舞-乙HiME. 石田耀子 Ishida Yoko followed with 「幸せの色」 (あぁっ女神さまっ それぞれの翼 OP) and 「紅の静寂」 the 2nd 灼眼のシャナ ending theme.

Girly screaming then erupted around the stadium as 高橋直純 Takahashi Naozumi made his entrance and performed his set of 「電光石火の恋」 from 遙かなる時空の中で3, a new release 「無敵なsmile」 the 無敵看板娘ED and 「OK!」. I have to say despite being obviously biased to the female sector of the vocal arts, TakaNao is undoubtly a good performer.

Up next was the first of only two medleys of the night. Performed by 米倉千尋 Yonekura Chihiro, Ishida Yoko, Kurabayashi Minami and 松本梨香 Matsumoto Rica, it was a nostalgic collection of 嵐の中で輝いて (機動戦士ガンダム第08MS小隊), 乙女のポリシー (美少女戦士セーラムーンR), Shining☆Days (舞-HiME) and ポケモンマスター (ポケモン).

Special guests 平野綾 Hirano Aya, 茅原実里 Chihara Minori and 後藤邑子 Goto Yuko then burst on to stage dancing furiously to ハレ晴レユカイ Hare Hare Yukai. There was much cheering and excitement but I have to say the choreography was a little too energetic.

KENN with The NaB’s then followed with 「Wake Up Your Heart」 (遊戯王デュエルモンスターズGX) and savage genius with 「Forever…」 (エレメンタルジェレイドOP) and 「祈りの詩」 (Simoun ED). 嘉陽愛子 Kayo Aiko was next with 「愛してね♥もっと」 (天上天下ED and one of my favourites) and 「瞳の中の迷宮」 (ヤミと帽子と本の旅人OP). Yonekura Chisa then performed 「WILL」 (仙界伝封神演義OP) and her new offering 「青空とキミへ」.

The second medley headed up by 影山ヒロノブ Kageyama Hironobu with 福山芳樹 Fukuyama Yoshiki, きただにひろし Kitadani Hiroshi and 遠藤正明 Endo Masaaki. 「CHA-LA HEAD-CHA-LA」 (Dragon Ball Z), 「PLANET DANCE」 (Macross 7), 「We Are!」 (One Piece) and 「勇者王ガオガイガー」 (you guessed it, Gaogaigar) and 「SOLDIER DREAM」 (Saint Seiya).

Kageyama then introduced for the first time live, Okui Masami and Yonekura Chihiro unit, r.o.r/s as they performed 「Candy Lie」. Okui Masami continued with her set, 「SECOND IMPACT」, 「WILD SPICE」 (無敵看板娘OP) and 「zero-G-」 from RAY THE ANIMATION. It was great to see Okui Masami perform. She looked good and sang brilliantly. Definitely a high point of the night.

三枝夕夏 in db, U-ka saegusa in db, followed with 「君と約束した優しいあの場所まで」 (名探偵コナン) and 「Everybody Jump」 (格闘美神 武龍). 愛内里菜 Aiuchi Rina joined her for their duet of 「100もの扉」 (名探偵コナン). Aiuchi Rina then rounded of her set with 「GLORIOUS」 (Another Century’s Episode 2) and 「MIRACLE」 (メルヘヴン) before ALI PROJECT made their dramatic entrance. ALI PROJECT started off with 「聖少女領域」 (Rozen Maiden Traumend) and finished with their Oricon Top 10 hit 「亡國覚醒カタルシス」 (.hack//Roots) making a similarly spectacular exit.

JAM Project then came blasting on to stage with 「GONG」 (第3次スーパーロボット大戦α) followed by 「牙狼~SAVIOR IN THE DARK」 (牙狼) and 「SKILL」 (第2次スーパーロボット大戦α).

石川智晶 Ishikawa Chiaki then took the stage with 「美しければそれでいい」 (シムーンOP). And then in another highlight of the night, Chiaki performed, one of my favourites of See-Saw, 「あんなに一緒だったのに」 from 機動戦士Gundam Seed.

Finally, with the longest entrance of the night, the artist no doubt most of the audience tonight had come to see, with the loudest of cheers from the crowd, 水樹奈々 Mizuki Nana arrived. She swung straight into 「Super Generation」 and followed with 「Innocent Starter」 (魔法少女リリカルなのは). The Basilisk ending 「ヒメムラサキ」 was next and the night would not be complete without 「ETERNAL BLAZE」 (魔法少女リリカルなのはA’s). Nana’s performance was flawless and there’s little doubt why she gets top billing.

As tradition now, the last song of the night is the Animelo theme song. And this year, it is 「OUTRIDE」. All the artists gathered on the stage for finale of the night. Everyone is encouraged to sing as the lyrics are displayed on the big screen. With much cheering and whooping and plenty of emotion in the room (Hirano Aya was moved to tears), the concert ended. Leaving us with the teaser, “See you again on DVD”, it was a good night to be an anime fan.

More images at Mizuki Nana’s blog and Chihara Minori’s blog and of course the official site.


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